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Close up: World War Z frames the terror of ‘loss of self’ and the threat of a mass pandemic

<p>How do filmmakers communicate big ideas on screen? In this video series, film scholar Bruce Isaacs analyses pivotal film scenes in detail. (Warning: this video contains violence and may be upsetting for some viewers.)</p> <p><iframe width="560" height="315" src="https://www.youtube.com/embed/rTkFBg2gSRQ" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen=""></iframe></p> <p>There is perhaps no better time than now to appreciate the unique and subversive genre of <a href="https://theconversation.com/were-obsessed-with-zombies-which-says-a-lot-about-today-37552">zombie movies</a>. These films have always been great socio-cultural lenses. Night of the Living Dead and Dawn of the Dead were two classics of the genre.</p> <p><a href="https://www.imdb.com/title/tt0816711/?ref_=ttfc_fc_tt">World War Z</a> (2013), an adaptation of Max Brook’s 2006 <a href="https://www.goodreads.com/book/show/8908.World_War_Z">apocalyptic zombie novel</a> continues this tradition. In a pivotal scene set in Jerusalem, director <a href="https://www.imdb.com/name/nm0286975/?ref_=tt_ov_dr">Marc Foster</a> encapsulates the greatest threat posed by zombies: the end of our individuality and loss of uniqueness. The casting of Hollywood star <a href="https://www.imdb.com/name/nm0000093/?ref_=tt_ov_st_sm">Brad Pitt</a> is crucial, as are the cuts between him as a figure and the invading mass.</p> <p><em>Written by Bruce Isaacs. Republished with permission of <a href="https://theconversation.com/close-up-world-war-z-frames-the-terror-of-loss-of-self-and-the-threat-of-a-mass-pandemic-145090">The Conversation.</a> </em></p>

Movies

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“My smartphone is turning me into a zombie”

<p>I recently had a terrifying revelation. I realised I was already a zombie, and I didn't even know it. None of us do, because we're too busy being held captive by the technology that was meant to set us free.</p> <p>When Alexander Graham Bell patented the blower back in 1876, naysayers predicted it would destroy civilised society. They were about 150 years and 20,000 generations of device off, but now the telephone's bastard cousin, the smartphone, is turning us all into red-eyed dullards.</p> <p>Zombies are everywhere. They're at the park with their kids, glancing up occasionally to offer a weak grunt of encouragement (after they've Instagrammed and Facebook-lived "Saturday's super-fun park trip! #allthelols #lovethislittleguy").</p> <p>They're at the bus stop, lurching angrily behind the bus after it drove past because no-one looked up to wave it down. Some of them were probably at the table with you at lunch, staring vacantly at the object in their palms, replying stupidly to your half-heard conversation.</p> <p>The other day I stopped to answer a text on the steps at Auckland Art Gallery. I usually would not think twice before stopping on the street to check my phone. But this time I got an eerie feeling. I glanced up to see two people to either side of me, and one a couple of metres in front, standing stock-still. We were heads-down, mid-step, frozen. We had hit pause on real life.</p> <p>Sometimes, I'm at my computer on my email and I will click on the Gmail icon on my smartphone to check the mail <em>I'm already reading</em>. I feel my phone vibrating in my pocket when it's not ringing. I check it then I want to check it again almost immediately. I try not to use it in front of my toddler, but it is hard. And compared to my friends, my smartphone usage is not abnormal. It's probably bordering on low.</p> <p>Studies <span style="text-decoration: underline;"><strong><a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5076301/" target="_blank">on smartphone usage</a></strong></span> have found addiction is linked to depression, anxiety, sleep disturbance, and stress. Some signs of addictive behaviour are: "uncontrollable use, in addition to feelings of intense desire or irresistible need, loss of control, inattention to usual activities, the focalisation of interests on the behaviour or activity of interest, the persistence of the behaviour despite its negative effects, and the irritability and malaise associated with abstinence."</p> <p>There's no real data on how common addiction is, because the field of study is so new.</p> <p>But it's pretty obvious, right? Just look around.</p> <p>This week I deleted the Facebook and Twitter apps from my smartphone. I've started bringing a book on the bus. I'm considering making a <span style="text-decoration: underline;"><strong><a href="https://www.ft.com/content/01ba2970-9e70-11e5-8ce1-f6219b685d74" target="_blank">deliberate switch</a></strong></span> back to a regular cell phone.</p> <p>I want my kid to know me, not some diluted version.</p> <p>And if some zombies come at me, I'll need my hands free to save him.</p> <p><em>Written by Michelle Duff. First appeared on <a href="http://www.stuff.co.nz/" target="_blank"><strong><span style="text-decoration: underline;">Stuff.co.nz</span></strong></a>. </em></p>

Technology

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Night of the Living Dead director George A. Romero dies at 77

<p>George A. Romero, famed director and father of the zombie film genre, has died at the age of 77. The legendary filmmaker passed away in his sleep after a “brief but aggressive battle with lung cancer” while listening to the score of 1952’s <em>The Quiet Man</em> with his family by his side, <a href="http://www.latimes.com/entertainment/movies/la-me-george-romero-20170716-story.html" target="_blank"><strong><span style="text-decoration: underline;">according to</span></strong></a> his long-time producing partner Peter Grunwald.</p> <p>Romero is often credited with reinventing the zombie film genre with his cult classic 1968 movie, <em>Night of the Living Dead</em>. His creation would go on to set the standard for every zombie-themed film and TV show after it – an undead creature that moved slowly, fed on human flesh and could only be killed if shot in the head.</p> <p>However, it wasn’t all horror and gore to Romero. In his films, the creatures served as metaphors for the social issues of the time – racism, capitalism and classicism, for example.</p> <p>“They [the zombies] could be an avalanche, they could be a hurricane,” he said in 2008. “It’s a disaster out there. The stories are about how people fail to respond in the proper way. They fail to address it. They keep trying to stick where they are, instead of recognising maybe this is too big for us to try to maintain. That’s the part of it that I’ve always enjoyed.”</p> <p>The hit debut film, made for around US$114,000, grossed $30 million upon release and was added to the Library of Congress’ National Registry of Films in 1999, having been deemed “culturally, historically, or aesthetically significant”.</p> <p>Romero followed up the movie’s success with 1978’s <em>Dawn of the Dead</em> and 1985’s <em>Day of the Dead</em>. Three others in the series were produced throughout the 2000s, and two more are due in the future – another sequel next year, and a prequel written by Romero’s son.</p> <p>He is survived by wife Suzanne Desrocher and their filmmaker son Cameron, as well as children Andrew and Tina from a previous marriage.</p>

Movies