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Kiss’s debut album at 50: how the rock legends went from ‘clowns’ to becoming immortalised

<p><em><a href="https://theconversation.com/profiles/charlotte-markowitsch-1507417">Charlotte Markowitsch</a>, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a></em></p> <p>It has been 50 years since Rock &amp; Roll <a href="https://www.rockhall.com/inductees/kiss">Hall of Famers</a> Kiss launched their thunderock-doused debut album into the pop culture stratosphere. The eponymous album, released on February 18 1974, became a platform-stacked foot in the music industry’s door.</p> <p>What followed established Kiss as one of the most memorable hard-rock bands of the 1970s and ’80s, with a <a href="https://doi.org/10.1386/ejac.37.1.19_1">globally recognised legacy</a>.</p> <p><iframe style="border-radius: 12px;" src="https://open.spotify.com/embed/album/0NjpmoajQlllfKH9FaNliD?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="allowfullscreen" loading="lazy"></iframe></p> <p> </p> <h2>The early days</h2> <p>In 1972, Paul Stanley and Gene Simmons shelved their first ever rock outfit following a short stint in a band called <a href="https://en.wikipedia.org/wiki/Wicked_Lester">Wicked Lester</a>. The pair then <a href="https://www.udiscovermusic.com/stories/kiss-self-titled-debut-album/">hatched a plan</a> to form a far more aggressive and successful rock band. Drummer Peter Criss and guitarist Ace Frehley were recruited, and the new-generation Fab Four renamed themselves Kiss.</p> <p>By late <a href="https://www.kissonline.com/history">November of 1973</a>, the band had developed their bombastic live performance style, perfected their makeup and signed a deal with <a href="https://ultimateclassicrock.com/kiss-first-record-contract/">Casablanca Records</a>. Yet they dealt with some rocky beginnings.</p> <p>Armed with reworked songs from Wicked Lester, Kiss entered New York’s Bell Sound Studios to record their debut. A mere three weeks later the album was complete – but the band quickly realised the studio recordings didn’t capture the essence of their high-energy live shows.</p> <p>As vocalist Paul Stanley <a href="https://loudwire.com/kiss-self-titled-album-anniversary/">told Loudwire</a>: "What was put down on tape was such a timid fraction of what we were in concert. I didn’t understand it because bands who were our contemporaries had much better-sounding albums."</p> <p>They took another blow while shooting the album cover with <a href="https://www.nytimes.com/2007/03/31/obituaries/31brodsky.html">Joel Brodsky</a> when, after a mishap with Criss’s makeup, the band were allegedly handed balloons by the photographer since he thought they were clowns.</p> <p>Then, soon before the album was released, Warner Brothers pulled its financial backing and <a href="https://www.loudersound.com/features/the-casablanca-records-story">distribution deal from Casablanca Records</a> after witnessing Kiss play a New Year’s eve show. Although it’s said the band’s makeup was the last straw for the label, the show in question also featured Simmons <a href="https://www.loudersound.com/features/kiss-early-years-history">setting his hair alight</a> shortly after throwing a fireball at a fan’s face.</p> <p>Despite the blunders, the release of the first album set Kiss on a path to becoming immortalised. As Stanley says in his book <a href="https://www.paulstanley.com/face-the-music/">Face The Music</a>: "For all the minuses I felt about the sound or the cover, we now had a finished album which was the prerequisite for all the other things we wanted to do. We were in the game now."</p> <figure><iframe src="https://www.youtube.com/embed/D0lit2sT6lY?wmode=transparent&amp;start=28" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>The Kiss sound</h2> <p>I first heard Kiss as a teenager. I’d just thrift-scored a pair of ’80s-era roller-skates with the band’s logo scrawled on the heels in glitter glue. The salesperson, responsible for the glitter glue, enthusiastically recounted seeing Kiss play VFL Park (now <a href="https://footy.fandom.com/wiki/Waverley_Park">Waverley Park</a> stadium) in 1980 and made me promise I’d listen to them.</p> <p>Overwhelmed by the band’s expansive discography, and the possibility that their name stood for <a href="https://www.loudersound.com/news/kiss-squash-long-standing-rumour-that-their-band-name-is-a-satanic-acronym-were-smart-but-were-not-that-smart">Knights In Satan’s Service</a>, I thought it best to begin from the start.</p> <p>With their reputation of on-stage pyrotechnics and gore, I’d expected something more akin to Black Sabbath’s Paranoid than the jangly riffs of Let Me Know or Love Theme From Kiss. A 1978 review by <a href="https://www.rollingstone.com/music/music-album-reviews/kiss-194584/">Gordon Fletcher</a> for the Rolling Stone also noted this rift. Despite calling the album exceptional, Fletcher described its sound as a cross between Deep Purple and the Doobie Brothers.</p> <p>Stanley and Simmons have <a href="https://www.guitarworld.com/features/kiss-paul-stanley-gene-simmons-classic-tracks">spoken freely</a> about borrowing heavily from a number of mid-century legends, so it’s no surprise that sonically the album was nothing new. The Rolling Stones’ influence can be heard in the songs Deuce and Strutter, while Led Zeppelin and Neil Young are present in Black Diamond.</p> <figure><iframe src="https://www.youtube.com/embed/PEa4MrrG1xw?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>The album initially hadn’t risen higher than #87 on <a href="https://ultimateclassicrock.com/kiss-kiss-debut-album/">Billboard’s album charts</a>. A studio cover of <a href="https://ultimateclassicrock.com/kiss-nothin-to-lose/?trackback=twitter_mobile">Bobby Rydell’s Kissin’ Time</a> was released next as the lead single, but the track only bumped them up to #83. This <a href="https://doi.org/10.1093/gmo/9781561592630.article.A2262575">commercial unviability</a> loomed over Kiss until the release of <a href="https://en.wikipedia.org/wiki/Alive!_(Kiss_album)">Alive!</a> in 1975.</p> <h2>Success and beyond</h2> <p>As the band’s first live album, Alive! bridged the gap between the audacious intensity of Kiss’s performances and the timidness of their studio recordings. Their early tracks were repurposed to let listeners remotely experience the infamous Kiss live spectacle.</p> <p>As <a href="https://www.youtube.com/watch?v=EFMD7Usflbg&amp;ab_channel=KissVEVO">Rock and Roll All Nite</a> claimed #12 on the <a href="https://loudwire.com/kiss-alive-album-anniversary/">Billboard charts</a>, the platform-stacked foot burst through the door to mainstream success.</p> <p>Fifty years after Kiss first stepped into Bell Sound Studios, the band played their final sold-out show at Madison Square Garden on December 2 2023. The performance served as a crowning jewel on their End of the Road world tour, a four-year effort with more than 250 live shows.</p> <p>Promised to be their <a href="https://www.triplem.com.au/story/kiss-add-more-dates-to-their-end-of-the-road-australian-tour-172305">biggest and best shows ever</a>, the farewell became a colossal celebration of the band’s legacy. Theatrical pyrotechnics, fake blood and Stanley’s classic opening line – “you wanted the best, you got the best” – were featured at each performance.</p> <p>While both Kiss’s anthemic numbers and earlier catalogue were performed in these final shows, the music came second to the celebration of the Kiss live spectacle.</p> <p>From their carefully designed makeup, to bombastic theatrics and hoards of merchandise, it was Kiss’s <a href="https://doi.org/10.1386/ejac.37.1.19_1">brand building</a> that <a href="https://www.wiley.com/en-au/Brands+That+Rock%3A+What+Business+Leaders+Can+Learn+from+the+World+of+Rock+and+Roll-p-9780471455172">set them apart</a> and embedded them in the <a href="https://doi.org/10.1016/j.poetic.2009.09.006">heritage bracket</a> of popular culture.</p> <p>Despite the end of their live shows, Kiss endeavours to stay embedded in public memory. Referring to some of the band’s 2,500 licensed products, Simmons recently spoke on <a href="http://www.tommagazine.com.au/2022/08/19/kiss/">what’s next for Kiss</a>: "Kiss the entity will continue; what’s happening now is a metamorphosis. The caterpillar is dying, but the butterfly will be born."</p> <figure><iframe src="https://www.youtube.com/embed/Yl5PGoy5X6g?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>With a <a href="https://www.billboard.com/music/rock/kiss-biopic-early-years-netflix-2024-1235291572/">Netflix biopic</a> and holographic <a href="https://www.stereogum.com/2246254/kiss-hologram-era-begins-in-2027/news/">avatars on the way</a>, Stanley and Simmons – the band’s two remaining members – <a href="https://www.nme.com/news/music/gene-simmons-says-kiss-farewell-tour-is-end-of-the-road-for-the-band-not-the-brand-3541117">have declared Kiss immortal</a>.</p> <p>Stanley even suggests the Kiss look has become so iconic it’s now bigger than any band member. This means the torch could be passed on to new-generation Kiss members.</p> <p>Kiss has (quite literally) breathed fire into live rock performance. Now, they’re breathing fire into our expectations of what rock royalty retirement looks like. I have to ask, who – or what – will wear the makeup next? <!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/222284/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/charlotte-markowitsch-1507417">C<em>harlotte Markowitsch</em></a><em>, PhD candidate in popular music studies, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/kisss-debut-album-at-50-how-the-rock-legends-went-from-clowns-to-becoming-immortalised-222284">original article</a>.</em></p>

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The psychology behind why clowns creep us out

<p>Hollywood<span> </span><a href="http://www.imdb.com/title/tt0095444/?ref_=nv_sr_1">has</a><span> </span><a href="http://www.imdb.com/title/tt1156398/?ref_=nv_sr_1">long</a><span> </span><a href="http://www.imdb.com/title/tt2900624/?ref_=fn_al_tt_4">exploited</a><span> </span>our deep ambivalence about clowns, and this fall’s film lineup is no different.</p> <p>Stephen King’s evil clown,<span> </span><a href="https://ramirezmedia.files.wordpress.com/2015/06/wpid-clown-pennywise.jpg">Pennywise</a>, will make his second screen appearance in two years in “<a href="https://www.imdb.com/title/tt7349950/?ref_=nv_sr_1?ref_=nv_sr_1">It Chapter Two</a>,” while Batman’s demented nemesis The Joker, played by Joaquin Phoenix, will appear as the antihero of his origin story, “<a href="https://www.imdb.com/title/tt7286456/?ref_=nv_sr_1?ref_=nv_sr_1">Joker</a>.”</p> <p>How did a mainstay of children’s birthday parties start to become an embodiment of pure evil?</p> <p>In fact,<span> </span><a href="http://news.bbc.co.uk/2/hi/health/7189401.stm">a 2008 study conducted in England</a><span> </span>revealed that very few children actually like clowns. It also concluded that the common practice of decorating children’s wards in hospitals with pictures of clowns may create the exact opposite of a nurturing environment. It’s no wonder<span> </span><a href="http://hotair.com/archives/2011/05/20/mcdonalds-ceo-to-food-police-the-clowns-going-nowhere/">so many people hate Ronald McDonald</a>.</p> <p>But as a psychologist, I’m not just interested in pointing out that clowns give us the creeps; I’m also interested in why we find them so disturbing. In 2016, I published a study entitled “<a href="http://www.sciencedirect.com/science/article/pii/S0732118X16300320">On the Nature of Creepiness</a>” with one of my students, Sara Koehnke, in the journal<span> </span><a href="http://www.journals.elsevier.com/new-ideas-in-psychology">New Ideas in Psychology</a>. While the study was not specifically looking at the creepiness of clowns, much of what we discovered can help explain this intriguing phenomenon.</p> <p><strong>The march of the clowns</strong></p> <p><a href="http://www.smithsonianmag.com/arts-culture/the-history-and-psychology-of-clowns-being-scary-20394516/?no-ist">Clown-like characters</a><span> </span>have been around for thousands of years. Historically, jesters and clowns have been a vehicle for satire and for poking fun at powerful people. They provided a safety valve for letting off steam and they were granted unique freedom of expression – as long as their value as entertainers outweighed the discomfort they caused the higher-ups.</p> <p>Jesters and others persons of ridicule go back at least to ancient Egypt, and the English word “clown” first appeared sometime in the 1500s, when Shakespeare used the term to describe foolish characters in several of his plays. The now familiar circus clown – with its painted face, wig and oversized clothing – arose in the 19th century and has changed only slightly over the past 150 years.</p> <p>Nor is the trope of the evil clown anything new. In 2016, writer<span> </span><a href="http://benjaminradford.com/">Benjamin Radford</a><span> </span>published “<a href="https://www.amazon.com/Bad-Clowns-Benjamin-Radford/dp/0826356664">Bad Clowns</a>,” in which he traces the historical evolution of clowns into unpredictable, menacing creatures.</p> <p>The persona of the creepy clown really came into its own after serial killer<span> </span><a href="http://www.biography.com/people/john-wayne-gacy-10367544">John Wayne Gacy</a><span> </span>was captured. In the 1970s, Gacy appeared at children’s birthday parties as “Pogo the Clown” and also regularly painted pictures of clowns. When the authorities discovered that he had killed at least 33 people, burying most of them in the crawl space of his suburban Chicago home, the connection between clowns and dangerous psychopathic behavior became forever fixed in the collective unconscious of Americans.</p> <p>Then, for several months in 2016,<span> </span><a href="http://www.vocativ.com/356953/creepy-clown-sightings/">creepy clowns terrorized America</a>.</p> <p>Reports emerged from at least 10 different states. In Florida,<span> </span><a href="http://www.sun-sentinel.com/features/gone-viral/sfl-creepy-clowns-lurk-around-florida-as-part-of-dangerous-nationwide-trend-20160927-htmlstory.html">fiendish clowns were spotted lurking by the side of the road</a>. In South Carolina, clowns were reportedly trying to<span> </span><a href="http://www.nytimes.com/2016/08/31/us/creepy-clown-sightings-in-south-carolina-cause-a-frenzy.html?_r=0">lure women and children into the woods</a>.</p> <p>It isn’t clear which of these incidents were tales of clowning around and which were truly menacing abduction attempts. Nonetheless, the perpetrators seem to be tapping into the primal dread that so many children – and more than a few adults – experience in the presence of clowns.</p> <p><strong>The nature of creepiness</strong></p> <p>Psychology can help explain why clowns – the supposed purveyors of jokes and pranks – often end up sending chills down our spines.</p> <p><a href="http://www.sciencedirect.com/science/article/pii/S0732118X16300320">My research</a><span> </span>was the first empirical study of creepiness, and I had a hunch that feeling creeped out might have something to do with ambiguity – about not really being sure how to react to a person or situation.</p> <p>We recruited 1,341 volunteers ranging in age from 18 to 77 to fill out an online survey. In the first section of the survey, our participants rated the likelihood that a hypothetical “creepy person” would exhibit 44 different behaviors, such as unusual patterns of eye contact or physical characteristics like visible tattoos. In the second section of the survey, participants rated the creepiness of 21 different occupations, and in the third section they simply listed two hobbies that they thought were creepy. In the final section, participants noted how much they agreed with 15 statements about the nature of creepy people.</p> <p><a href="https://www.psychologytoday.com/blog/out-the-ooze/201505/how-we-decide-whos-creepy">The results</a><span> </span>indicated that people we perceive as creepy are much more likely to be males than females, that unpredictability is an important component of creepiness and that unusual patterns of eye contact and other nonverbal behaviors set off our creepiness detectors big time.</p> <p>Unusual or strange physical characteristics such as bulging eyes, a peculiar smile or inordinately long fingers did not, in and of themselves, cause us to perceive someone as creepy. But the presence of weird physical traits can amplify any other creepy tendencies that the person might be exhibiting, such as persistently steering conversations toward peculiar sexual topics or failing to understand the policy about bringing reptiles into the office.</p> <p>When we asked people to rate the creepiness of different occupations, the one that rose to the top of the creep list was – you guessed it – clowns.</p> <p>The results were consistent with my theory that getting “creeped out” is a response to the ambiguity of threat and that it is only when we are confronted with uncertainty about threat that we get the chills.</p> <p>For example, it would be considered rude and strange to run away in the middle of a conversation with someone who is sending out a creepy vibe but is actually harmless; at the same time, it could be perilous to ignore your intuition and engage with that individual if he is, in fact, a threat. The ambivalence leaves you frozen in place, wallowing in discomfort.</p> <p>This reaction could be adaptive, something humans have evolved to feel, with being “creeped out” a way to maintain vigilance during a situation that could be dangerous.</p> <p><strong>Why clowns set off our creep alert</strong></p> <p>In light of our study’s results, it is not at all surprising that we find them to be creepy.</p> <p><a href="http://www.raminader.com/">Rami Nader</a><span> </span>is a Canadian psychologist who studies coulrophobia, the irrational fear of clowns. Nader believes that clown phobias are fueled by the fact that clowns wear makeup and disguises that hide their true identities and feelings.</p> <p>This is perfectly consistent with my hypothesis that it is the inherent ambiguity surrounding clowns that make them creepy. They seem to be happy, but are they really? And they’re mischievous, which puts people constantly on guard. People interacting with a clown during one of his routines never know if they are about to get a pie in the face or be the victim of some other humiliating prank. The highly unusual physical characteristics of the clown – the wig, the red nose, the makeup, the odd clothing – only magnify the uncertainty of what the clown might do next.</p> <p>There are certainly other types of people who creep us out; taxidermists and undertakers made a good showing on the creepy occupation spectrum. But they have their work cut out for them if they aspire to the level of creepiness that we automatically attribute to clowns.</p> <p>In other words, they have big shoes to fill.</p> <p><em>This is an updated version of an article originally published on Sep. 28, 2016</em>. <em>Written by Frank T. McAndrew. Republished with permission of <a href="https://theconversation.com/the-psychology-behind-why-clowns-creep-us-out-65936">The Conversation.</a></em></p>

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US airports use clowns, candy and ponies to relax passengers

<p>Airports across the US are recruiting clowns and miniature animals in a bid to soothe grumpy passengers.</p> <p>As the busy summer season kicks off, droves of holidaymakers are facing lengthy airport security queues and delayed flights.</p> <p>Many have been venting their frustration with the Transportation Security Administration (TSA) on Twitter, using the hashtag #iHateTheWait.</p> <p>Desperate to lighten the mood, airport bosses have been forced to come up with some creative solutions.</p> <p>San Diego International Airport has brought in circus performers to help keep delayed passengers smiling, Good Morning America reported.</p> <p><img width="500" height="394" src="https://oversixtydev.blob.core.windows.net/media/24050/airport-pony-in-text-1_500x394.jpg" alt="Airport Pony In Text 1"/></p> <p>Meanwhile, Denver International Airport is literally sweetening up its customers, offering candy to those waiting in long lines.</p> <p>And Cincinnati/Northern Kentucky International Airport has even enlisted "therapy ponies", miniature horses whose sole job is to delight passengers.</p> <p>"Animals help reduce stress and anxiety levels and put smiles on people's faces," airport spokeswoman Mindy Kershner told NBC news.</p> <p>"Unlike service animals, who are working and should not be touched, therapy animals can be patted and hugged."</p> <p><img width="500" height="254" src="https://oversixtydev.blob.core.windows.net/media/24049/airport-pony-in-text-2_500x254.jpg" alt="Airport Pony In Text 2"/></p> <p>The TSA has attributed the long lines to an increased number of travellers, more passengers bringing carry-on bags, the need for more robust security screenings, and a decrease in the number of security officers.</p> <p>This week USA Today reported 450 American Airlines passengers were stranded at Chicago's O'Hare Airport overnight after getting stuck in TSA queues.</p> <p>What do you think about the US airport’s solution? Do you think you could use something like this to brighten your mood on overseas trips?</p> <p>Share your thoughts in the comments.</p> <p><em>First appeared on <a href="http://Stuff.co.nz" target="_blank"><strong><span style="text-decoration: underline;">Stuff.co.nz</span></strong></a>.</em></p> <p><strong>Related links:</strong></p> <p><a href="/travel/international/2016/06/beautiful-european-cities-you-never-thought-to-visit/"><strong><em><span style="text-decoration: underline;">15 beautiful European cities you never thought to visit</span></em></strong></a></p> <p><strong><em><span style="text-decoration: underline;"><a href="/travel/international/2016/06/10-best-rated-tourist-landmarks-in-europe-tripadvisor/">10 best-rated tourist landmarks in Europe revealed</a></span></em></strong></p> <p><strong><em><span style="text-decoration: underline;"><a href="/travel/international/2016/06/worlds-longest-train-tunnel-to-open-under-swiss-alps/">World’s longest train tunnel to open under Swiss Alps</a></span></em></strong></p>

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