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Best-selling author diagnosed with "aggressive" brain cancer

<p>Best-selling author Sophie Kinsella has shared that she has been fighting "aggressive" brain cancer since the end of 2022. </p> <p>The British writer took to Instagram to reveal she was diagnosed with glioblastoma 18 months ago, and shared why she chose to keep the devatstsing news out of the spotlight. </p> <p>The 54-year-old said she wanted to "make sure my children were able to hear and process the news in privacy and adapt to our new normal" before going public with her diagnosis. </p> <p>"I have been under the care of the excellent team at University College Hospital in London and have had successful surgery and subsequent radiotherapy and chemotherapy, which is still ongoing," she told her followers on Instagram.</p> <p>"At the moment all is stable and I am feeling generally very well, though I get very tired and my memory is even worse than it was before!"</p> <p>Kinsella said she is "so grateful to my family and close friends who have been an incredible support to me, and to the wonderful doctors and nurses who have treated me."</p> <p>She also thanked her readers for their "constant support", adding how the reception of her latest novel <em>The Burnout</em>, released in October 2023, "really buoyed me up during a difficult time."</p> <p>She ended her statement by saying, "To everyone who is suffering from cancer in any form I send love and best wishes, as well as to those who support them."</p> <p>"It can feel very lonely and scary to have a tough diagnosis, and the support and care of those around you means more than words can say."</p> <p><em>Image credits: Getty Images </em></p>

Caring

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"What a life I’ve had": Author announces own death after years of battling dementia

<p>Wendy Mitchell has died aged 68 after documenting her brave battle with dementia. </p> <p>The author from Walkington, East Yorkshire, became the best-selling writer after she was diagnosed with early onset vascular dementia and Alzheimer's in July 2014. </p> <p>She shared her philosophical outlook on living with the condition in her acclaimed 2018 memoir <em>Somebody I Used To Know </em>and in her 2022 book <em>What I Wish I Knew About Dementia</em>.</p> <p>In an <a href="https://whichmeamitoday.wordpress.com/2024/02/22/my-final-hug-in-a-mug/" target="_blank" rel="noopener">open letter</a> shared online, the author announced her death and revealed that she had refused to eat or drink towards the end of her battle. </p> <p>"If you’re reading this, it means this has probably been posted by my daughters as I’ve sadly died," she began. </p> <p>"Sorry to break the news to you this way, but if I hadn’t, my inbox would eventually have been full of emails asking if I’m OK, which would have been hard for my daughters to answer… </p> <p>"In the end I died simply by deciding not to eat or drink any more," she wrote. </p> <p>She added that the last cup of tea she had, her "final hug in a mug" was "the hardest thing to let go of". </p> <p>"Dementia is a cruel disease that plays tricks on your very existence. I’ve always been a glass half full person, trying to turn the negatives of life around and creating positives, because that’s how I cope." </p> <p>Mitchell said that the language used by doctors can "make or break" how someone copes with dementia, and instead of saying there's "nothing they can do" it is better to tell them they will have to "adapt to a new way of living". </p> <p>"Well I suppose dementia was the ultimate challenge. Yes, dementia is a bummer, but oh what a life I’ve had playing games with this adversary of mine to try and stay one step ahead," she wrote in her final blog post. </p> <p>She also said that she had always been resilient, which has helped her cope with whatever life throws in her way. </p> <p>Mitchell has been an advocate for assisted dying in the UK, and said that "the only legal choice we shouldn’t have in life is when to be born; for everything else, we, as humans, should have a choice; a choice of how we live and a choice of how we die." </p> <p>She added that the way she died was an active choice as she doesn't want "to be an inpatient in a hospital, or a resident in a Care Home," as "it’s just not the place I want to end my years."</p> <p>"My girls have always been the two most important people in my life. I didn’t take this decision lightly, without countless conversations. They were the hardest conversations I’ve ever had to put them through. </p> <p>"This was all MY CHOICE, my decision. So please respect my daughters' privacy, as they didn’t choose the life I chose, of standing up to and speaking out against dementia." </p> <p>She then thanked everyone for their support and left with a touching final message. </p> <p>"So, enjoy this knowing that dementia didn’t play the winning card – I did."</p> <p><em>Images: Daily Mail</em></p> <p> </p>

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Who wrote the Bible?

<p><em><a href="https://theconversation.com/profiles/philip-c-almond-176214">Philip C. Almond</a>, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a></em></p> <p>The Bible tells an overall story about the history of the world: creation, fall, redemption and God’s Last Judgement of the living and the dead.</p> <p>The Old Testament (which dates to 300 BCE) begins with the creation of the world and of Adam and Eve, their disobedience to God and their expulsion from the garden of Eden.</p> <p>The New Testament recounts the redemption of humanity brought about by the life, death and resurrection of Jesus. It finishes in the book of Revelation, with the end of history and God’s Last Judgement.</p> <p>During the first 400 years of Christianity, the church took its time deciding on the New Testament. Finally, in 367 CE, authorities confirmed the 27 books that make it up.</p> <p>But who wrote the Bible?</p> <p>Broadly, there are four different theories.</p> <h2>1. God wrote the Bible</h2> <p>All Christians agree the Bible is authoritative. Many see it as the divinely revealed word of God. But there are significant disagreements about what this means.</p> <p>At its most extreme, this is taken to mean the words themselves are divinely inspired – God dictated the Bible to its writers, who were merely God’s musicians playing a divine composition.</p> <p>As early as the second century, the <a href="https://archive.org/details/fathersofchurch0000unse/page/382/mode/2up">Christian philosopher Justin Martyr saw it</a> as only necessary for holy men "to submit their purified persons to the direction of the Holy Spirit, so that this divine plectrum from Heaven, as it were, by using them as a harp or lyre, might reveal to us divine and celestial truths."</p> <p>In other words, God dictated the words to the Biblical secretaries, who wrote everything down exactly.</p> <p>This view continued with the medieval Catholic church. Catholic theologian Thomas Aquinas put it simply in the 13th century: “the author of Holy Writ is God”. He <a href="https://www.ccel.org/ccel/aquinas/summa.FP_Q1_A10.html">qualified this</a> by saying each word in Holy Writ could have several senses – in other words, it could be variously interpreted.</p> <p>The religious reform movement known as Protestantism swept through Europe in the 1500s. <a href="https://www.britannica.com/event/Reformation">A new group of churches formed</a> alongside the existing Catholic and <a href="https://www.britannica.com/topic/Eastern-Orthodoxy">Eastern Orthodox</a> traditions of Christianity.</p> <p>Protestants emphasised the authority of “scripture alone” (“sola scriptura”), meaning the text of the Bible was the supreme authority over the church. This gave greater emphasis to the scriptures and the idea of “divine dictation” got more support.</p> <p>So, for example, <a href="https://babel.hathitrust.org/cgi/pt?id=coo.31924029273996&amp;seq=254">Protestant reformer John Calvin declared</a>: "[we] are fully convinced that the prophets did not speak at their own suggestion, but that, being organs of the Holy Spirit, they only uttered what they had been commissioned from heaven to declare."</p> <figure class="align-left zoomable"><figcaption></figcaption></figure> <p>“Divine dictation” was linked to the idea that the Bible was without error (inerrant) – because the words were dictated by God.</p> <p>Generally, over the first 1,700 years of Christian history, this was assumed, if not argued for. But from the 18th century on, both history and science began to cast doubts on the truth of the Bible. And what had once been taken as fact came to be treated as myth and legend.</p> <p>The impossibility of any sort of error in the scriptures became a doctrine at the forefront of the 20th-century movement known as <a href="https://www.britannica.com/topic/Christian-fundamentalism">fundamentalism</a>. The <a href="https://www.apuritansmind.com/creeds-and-confessions/the-chicago-statement-on-biblical-inerrancy/">Chicago Statement on Biblical Inerrancy in 1978</a> declared: "Being wholly and verbally God-given, Scripture is without error or fault in all its teaching, no less in what it states about God’s acts in creation, about the events of world history, and about its own literary origins under God, than in its witness to God’s saving grace in individual lives."</p> <h2>2. God inspired the writers: conservative</h2> <p>An alternative to the theory of divine dictation is the divine inspiration of the writers. Here, both God and humans collaborated in the writing of the Bible. So, not the words, but the authors were inspired by God.</p> <p>There are two versions of this theory, dating from the <a href="https://www.britannica.com/event/Reformation">Reformation</a>. The conservative version, favoured by Protestantism, was: though the Bible was written by humans, God was a dominant force in the partnership.</p> <p>Protestants believed the sovereignty of God overruled human freedom. But even the Reformers, <a href="https://www.britannica.com/biography/Martin-Luther">Martin Luther</a> and <a href="https://www.britannica.com/biography/John-Calvin">John Calvin</a>, recognised variation within the Biblical stories could be put down to human agency.</p> <p>Catholics were more inclined to recognise human freedom above divine sovereignty. Some flirted with the idea human authorship was at play, with God only intervening to prevent mistakes.</p> <p>For example, in 1625, <a href="https://archive.org/details/catholictheories0000burt/page/46/mode/2up">Jacques Bonfrère said</a> the Holy Spirit acts: “not by dictating or inbreathing, but as one keeps an eye on another while he is writing, to keep him from slipping into errors”.</p> <p>In the early 1620s, the Archbishop of Split, Marcantonio de Dominis, went a little further. He distinguished between those parts of the Bible revealed to the writers by God and those that weren’t. In the latter, he believed, errors could occur.</p> <p>His view was supported some 200 years later by <a href="https://www.britannica.com/biography/Saint-John-Henry-Newman">John Henry Newman</a>, who led the Oxford movement in the Church of England and later became a cardinal (and then a saint) in the Roman Catholic Church.</p> <p>Newman argued the divinely inspired books of the Bible were interspersed with human additions. In other words, the Bible was inspired in matters of faith and morals –  but not, say, in matters of science and history. It was hard, at times, to distinguish this conservative view from “divine dictation”.</p> <h2>3. God inspired the writers: liberal</h2> <p>During the 19th century, in both Protestant and Catholic circles, the conservative theory was being overtaken by a more liberal view. The writers of the Bible were inspired by God, but <a href="https://archive.org/details/catholictheories0000burt/page/186/mode/2up">they were “children of their time”</a>, their writings determined by the cultural contexts in which they wrote.</p> <p>This view, while recognising the special status of the Bible for Christians, allowed for errors. For example, in 1860 <a href="https://archive.org/details/a578549600unknuoft/page/n359/mode/2up?ref=ol&amp;view=theater&amp;q=inspir">the Anglican theologian Benjamin Jowett declared</a>: “any true doctrine of inspiration must conform to all well-ascertained facts of history or of science”.</p> <p>For Jowett, to hold to the truth of the Bible against the discoveries of science or history was to do a disservice to religion. At times, though, it’s difficult to tell the difference between a liberal view of inspiration and there being no meaning to “inspiration” at all.</p> <p>In 1868, a conservative Catholic church pushed back against the more liberal view, declaring God’s direct authorship of the Bible. The Council of the Church known as Vatican 1 <a href="https://www.papalencyclicals.net/councils/ecum20.htm.">declared</a> both the Old and New Testaments were: “written under the inspiration of the holy Spirit, they have God as their author.”</p> <h2>4. People wrote it, with no divine help</h2> <p>Within the most liberal Christian circles, by the end of the 19th century, the notion of the Bible as “divinely inspired” had lost any meaning.</p> <p>Liberal Christians could join their secular colleagues in ignoring questions of the Bible’s historical or scientific accuracy or infallibility. The idea of the Bible as a human production was now accepted. And the question of who wrote it was now comparable to questions about the authorship of any other ancient text.</p> <p>The simple answer to “who wrote the Bible?” became: the authors named in the Bible (for example, Matthew, Mark, Luke and John – the authors of the four Gospels). But the idea of the Bible’s authorship is complex and problematic. (So are historical studies of ancient texts more generally.)</p> <p>This is partly because it’s hard to identify particular authors.</p> <p>The content of the 39 books of the Old Testament is the same as the 24 books of the Jewish <a href="https://www.britannica.com/topic/Hebrew-Bible">Hebrew Bible</a>. Within modern Old Testament studies, it’s now generally accepted that the books were not the production of a single author, but the result of long and changing histories of the stories’ transmission.</p> <p>The question of authorship, then, is not about an individual writer, but multiple authors, editors, scribes and redactors – along with multiple different versions of the texts.</p> <p>It’s much the same with the New Testament. While 13 Letters are attributed to <a href="https://www.britannica.com/biography/Saint-Paul-the-Apostle">Saint Paul</a>, there are doubts about his authorship of seven of them (Ephesians, Colossians, 2 Thessalonians, 1 Timothy, 2 Timothy, Titus, and Hebrews). There are also disputes over the traditional authorship of a number of the remaining Letters. The book of Revelation was traditionally ascribed to Jesus’s disciple John. But it is now generally agreed he was not its author.</p> <p>Traditionally, the authors of the four <a href="https://www.britannica.com/topic/Gospel-New-Testament">Gospels</a> were thought to be the apostles Matthew and John, Mark (the companion of Jesus’s disciple Peter), and Luke (the companion of Paul, who spread Christianity to the Greco-Roman world in the first century). But the anonymously written Gospels weren’t attributed to these figures until the second and third centuries.</p> <p>The dates of the Gospels’ creation also suggests they were not written by eyewitnesses to Jesus’s life. The earliest Gospel, Mark (65-70 CE) was written some 30 years after the death of Jesus (from 29-34 CE). The last Gospel, John (90-100 CE) was written some 60-90 years after the death of Jesus.</p> <p>It’s clear the author of the Gospel of Mark drew on traditions circulating in the early church about the life and teaching of Jesus and brought them together in the form of ancient biography.</p> <p>In turn, the Gospel of Mark served as the principal source for the authors of Matthew and Luke. Each of these authors had access to a common source (known as “Q”) of the sayings of Jesus, along with material unique to each of them.</p> <p>In short, there were many (unknown) authors of the Gospels.</p> <p>Interestingly, another group of texts, known as the <a href="https://www.britannica.com/topic/apocrypha">Apocrypha</a>, were written during the time between the Old and New Testaments (400 BCE to the first century CE). The Catholic Church and the Eastern Orthodox Christian traditions consider them part of the Bible, but Protestant churches don’t consider them authoritative.</p> <h2>Divine or human: why does it matter?</h2> <p>The question of who wrote the Bible matters because the Christian quarter of the world’s population believe the Bible is a not merely a human production.</p> <p>Divinely inspired, it has a transcendent significance. As such, it provides for Christians an ultimate understanding of how the world is, what history means and how human life should be lived.</p> <p>It matters because the Biblical worldview is the hidden (and often not-so-hidden) cause of economic, social and personal practices. It remains, as it has always been, a major source of both peace and conflict.</p> <p>It matters, too, because the Bible remains the most important collection of books in Western civilisation. Regardless of our religious beliefs, it has formed, informed and shaped all of us – whether consciously or unconsciously, for good or ill.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/214849/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><a href="https://theconversation.com/profiles/philip-c-almond-176214"><em>Philip C. Almond</em></a><em>, Emeritus Professor in the History of Religious Thought, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a></em></p> <p><em>Image credits: Getty Images </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/who-wrote-the-bible-214849">original article</a>.</em></p>

Books

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“The greatest American novelist” Cormac McCarthy passes away at 89

<p dir="ltr">American novelist Cormac McCarthy, the mind behind the classic works <em>The Road</em>, <em>No Country for Old Men</em>, and <em>All the Pretty Horses</em>, has passed away at the age of 89. </p> <p dir="ltr">The news was broken by McCarthy’s publisher, Alfred A Knopf, with a post to social media announcing that the Pulitzer Prize-winning writer had “died today of natural causes at his home in Santa Fe, New Mexico.”</p> <p dir="ltr">McCarthy enjoyed a near 60-year career, penning 12 novels, five screenplays, three short stories, and two plays. And while some may not have soared to commercial heights, many achieved critical acclaim, with late literary critic Howard Bloom even dubbing him the “true heir” of the likes of Herman Melville and William Faulkner. </p> <p dir="ltr">And in 2007, his novel 2006<em> The Road</em> won the Pulitzer Prize for Fiction, and the James Tait Black Memorial Prize, also for Fiction. </p> <p dir="ltr"><em>The Road </em>was arguably McCarthy’s best known work, and followed the journey of a father and his son in a post-apocalyptic world. It was adapted into a film in 2009, like McCarthy’s other two critically acclaimed books, <em>All the Pretty Horses</em> and<em> No Country for Old Men</em>. The latter saw great success in the 2008 Academy Awards, claiming the coveted title of Best Picture.</p> <p dir="ltr">And despite his literary accomplishments, McCarthy opted to remain in relative obscurity for the majority of his career. In 1992, the<em> New York Times Book Review </em>suggested that he might be “the best unknown novelist in America”.</p> <p dir="ltr">The media painted McCarthy as a reclusive figure, and it was well-known that the author preferred not to discuss his books, though Oprah Winfrey managed to get him in for his first - and only - TV interview after <em>The Road </em>featured in her book club.</p> <p dir="ltr">“You always have this hope that ‘today I'm going to do something better than I've ever done’," he told her. "I like what I do."</p> <p dir="ltr">“Some writers have said in print that they hated writing, it was just a chore and a burden. I certainly don't feel that way about it,” McCarthy went on to explain. “Sometimes it's difficult but you always have this image of the perfect thing which you can never achieve but which you never stop trying to achieve."</p> <p dir="ltr">Friends, writers, and fans took to social media in the wake of the news, with tributes to share their love for McCarthy and his works, as well as their agreement that he had achieved something very special throughout his life and literature. </p> <p dir="ltr">“Cormac McCarthy, maybe the greatest American novelist of my time, has passed away at 89,” author Stephen King wrote. “He was full of years and created a fine body of work, but I still mourn his passing.”</p> <p dir="ltr">“When a great artist dies, there is the moment when the world understands it will never again have a new creation from that mind, that heart, that vast soul. It is a loss beyond measure, but what that soul has left us is a gift beyond time,” writer Joseph Fasano shared. </p> <p dir="ltr">“I love every book McCarthy wrote,” one fan declared. “From a film point of view, his writing was so good that the Coen Brothers hardly changed a word of dialogue when they adapted <em>No Country For Old Men</em>. Why would they? You can't improve on perfection.”</p> <p dir="ltr">And as another said, “Cormac McCarthy’s writing was mean, and despairing, with a pretty withering view of humankind, and the cruel engines that drive it. but he had that faint flicker of belief that it could be different. ‘He can know his heart, but he don’t want to.’ gotta tend that flame folks. RIP.”</p> <p dir="ltr"><em>Images: Getty</em></p>

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5 authors who hated the film adaptation of their book

<p>Most movies these days are adapted from something – whether it’s a book, a musical, a news story or even another film. However, commercial and critical success doesn’t necessarily guarantee everyone will be happy. Surprisingly, the authors of these 5 movies didn’t think much of the film adaptations of their books.</p> <p><strong>1. <em>Mary Poppins</em></strong></p> <p>Author of <em>Mary Poppins</em> P. L. Travers initially had no problem with her book being turned into a film, until she discovered that Disney had disregarded almost all of her edits. When it was released in 1964, then-65-year-old Travers voiced her disapproval at the animated scenes and the downplaying of Poppins’ stricter side. She reportedly spent most of the film premiere crying, and vowed never to let Disney near another of her books.</p> <p><strong>2. <em>The Shining</em></strong></p> <p>With such a prolific author like Stephen King, there are bound to be a few hits and misses when it comes to film adaptations. After King put his faith in acclaimed director Stanley Kubrick, whom he greatly admired, he found himself extremely disappointed in the final product, which went on to become a horror classic. “Kubrick just couldn't grasp the sheer inhuman evil of The Overlook Hotel,” the author explained. “So he looked, instead, for evil in the characters and made the film into a domestic tragedy with only vaguely supernatural overtones.”</p> <p><strong>3. <em>Forrest Gump</em></strong></p> <p>The 1995 Best Picture winner was a hit with everyone – except author Winston Groom, that is. Angry at the filmmakers for toning down the language and sexual references as well as omitting certain important plot points, Groom got back at Hollywood in the first few lines of the book’s sequel: “Don't never let nobody make a movie of your life's story,” he writes "Whether they get it right or wrong, it don't matter.” Groom sued the producers after failing to receive his promised 3% cut of the profits, and wasn’t mentioned in any of the six Oscar acceptance speeches by the cast and crew.</p> <p><strong>4. <em>A Clockwork Orange</em></strong></p> <p>It’s one thing to hate the film adaptation of your book, but to end up hating the book itself? It seems strange, but that’s exactly what happened to Anthony Burgess. Years after the release of the book and the film, Burgess claimed he regretted writing the book, which he wrote in three weeks and only because he was desperate for money, so was unhappy when it was turned into a film that “seemed to glorify sex and violence.” He adds, “The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die.”</p> <p><strong>5. <em>Willy Wonka and the Chocolate Factory</em></strong></p> <p>One of the most beloved films of all time, the adaptation of <em>Charlie and the Chocolate Factory</em> certainly wasn’t beloved by Roald Dahl. He thought the 1971 film was “crummy” and that Gene Wilder’s portrayal of Willy Wonka was “pretentious” and “bouncy”, claiming director Mel Stuart had “no talent or flair”. For this reason, as long as the rights to his work is in the hands of his family, you’ll never see the book’s sequel, <em>Charlie and the Great Glass Elevator</em>, grace the silver screen.</p> <p><em>Images: Getty</em></p>

Books

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Murder charge levelled at children's book author

<p>Author Kouri Richins wrote a children’s book on grief following the death of her husband in 2022. She is now being charged with his murder.</p> <p>Richins was arrested on May 7 in Utah and is accused of charging documents of poisoning her husband with a lethal dose of fentanyl at their home in Kamas, a small mountain town near Park City.</p> <p>Prosecutors allege Richins called authorities in the middle of the night in March 2022 to report that her husband, Eric Richins, was “cold to the touch”.</p> <p>The mum-of-three told authorities she had made her husband a mixed vodka drink to celebrate him selling a home and then went to soothe one of their children in their bedroom. She later returned and found her husband unresponsive, which prompted her to call 911.</p> <p>A medical examiner later found five times the lethal dosage of fentanyl in his system.</p> <p>Additionally, Richins is facing charges involving the alleged possession of GHB - a narcolepsy drug typically used in recreational settings, including at dance clubs.</p> <p>The charges, which are based on officers’ interactions with Richins that evening and the account of an “unnamed acquaintance” who claimed to have sold her the fentanyl, come two months after Richins appeared on local television to promote Are You With Me, a picture book she wrote to help children cope with the death of a loved one.</p> <p>For a segment called Good Things Utah, Richins referred to her husband’s death as unexpected and explained how it sent her and her three boys spiralling. In terms of children, she said, grieving was about “making sure that their spirit is always alive in your home”.</p> <p>“It’s ... explaining to my kid just because he’s not present here with us physically, doesn’t mean his presence isn’t here with us,” she told the reporters, who commended her for being an amazing mother.</p> <p>Richins’ lawyer, Sky Lazaro, declined to comment on the charges.</p> <p><em>Image credit: Instagram</em></p>

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Aussie author of "Puberty Blues" dies at 64

<p dir="ltr">Gabrielle Carey, co-author of the iconic novel <em>Puberty Blues</em>, has passed away at 64. </p> <p dir="ltr">The news was reportedly broken by Carey’s old friend and co-writer Kathy Lette, who was the other half of the creative powerhouse that brought<em> Puberty Blues </em>to life. </p> <p dir="ltr">In a post to social media, Lette shared a throwback picture of the pair in their younger years, and wrote, “I’m deeply saddened by the tragic news about my old friend Gabrielle Carey. </p> <p dir="ltr">“I have such happy memories of our teenage years. They were halcyon, heady days full of love, laughter and adventure.</p> <p dir="ltr">“We made some mischief and broke some barriers by writing <em>Puberty Blues</em> – our raw, earthy take on the brutal treatment of young women in the Australian surfing scene which is sadly, still so relevant. </p> <p dir="ltr">“My heartfelt condolences to her family and friends.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">I’m deeply saddened by the tragic news about my old friend Gabrielle Carey. I have such happy memories of our teenage years. They were halcyon, heady days full of love, laughter and adventure. 1/2 🧵 <a href="https://t.co/2wZZiRf1hd">pic.twitter.com/2wZZiRf1hd</a></p> <p>— Kathy Lette (@KathyLette) <a href="https://twitter.com/KathyLette/status/1654136967636959234?ref_src=twsrc%5Etfw">May 4, 2023</a></p></blockquote> <p dir="ltr">The groundbreaking book they penned together,  which went on to be adapted as both a movie and a hit TV series, was a candid - then-controversial - story of two teenage girls growing up in Sydney’s Sutherland Shire. </p> <p dir="ltr">It pushed boundaries, captivated young audiences while tackling themes many did not expect for said target audience, and is regarded by many as being the first Australian teenage novel to be written by teens.</p> <p dir="ltr">From <em>Puberty Blues</em>, Carey went on to publish memoirs and nonfiction works, with another of her books - her 1984 <em>Just Us</em>, which covered her relationship with rapist and prisoner Terry Haley, who she married while he was imprisoned - also made into a telemovie in 1986. </p> <p dir="ltr">No suspicious circumstances surrounded her death, according to <em>The Australian</em>, though the tragic news comes just months after she wrote about her father’s suicide in <em>The Sydney Morning Herald</em>. </p> <p dir="ltr">At the time, Carey had revealed she was afraid of reaching 64, as that was when he too had passed on.</p> <p dir="ltr">“It was only decades later, when my father died from suicide on the very day he turned 64, that I became terrified of that number,” she wrote. “If I have inherited my father’s disposition for depression, did that mean I would also end up in an early grave?</p> <p dir="ltr">Carey’s early passing is one that has hit her friends and her fans hard, with many joining Lette in sharing their grief and their condolences on social media. </p> <p dir="ltr">“Farewell dear Gabrielle. You were a sister in the cause of mental illness, its impact &amp; our children. I’m enriched for having known you,” one supporter wrote. “Thank you.”</p> <p dir="ltr">“Writer - Reader - Intellectual - Joycean (fanatical) - Elizabeth von Arnim devotee - Avid Gardener - Rose Petal Jam Maker - Football Follower - Kayaker - Yogi - Joker - Irrepressible Spirit - Hobbit - Underground Writer - My Friend,” friend and fellow writer Yumna Kassab wrote. “I will always miss you.”</p> <p dir="ltr">“So sorry for your loss,” one fan said in response to Lette’s tweet. “You have no idea how much as a girl growing up in a coastal town with a surfing scene I understood <em>Puberty Blues</em>. I saw it every day. You &amp; Gabrielle laid it all bare &amp; made girls stand up for themselves. Thank you”.</p> <p dir="ltr">“My deepest condolences Kathy,” another offered. “The two of you wrote something so treasured by Gen X girls. It was our ‘how to say no guide’. Our Teen handbook. But it still let us live our lives &amp; learn as we went. RIP Gabrielle Carey.”</p> <p dir="ltr"><em>Images: Facebook</em></p>

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Author claims she felt "used and manipulated" by Princess Diana

<p>An author has claimed she felt "manipulated and used" by Princess Diana, after she published a book detailing the late Princess's relationship with British Army captain James Hewitt. </p> <p>Anna Pasternak, was widely criticised for her 1994 book <em>Princess in Love</em>, said she is now "firmly team Camilla", but admits she feels "sorry" for Diana, King Charles and the Queen Consort, believing they "suffered at the hands of an unrelenting monarchy".</p> <p>A year before the publication of Anna's book, she wrote about Princess Diana's friendship with Captain Hewitt in a series of articles for the Daily Express, though their affair was not mentioned. </p> <p>"Hewitt told me that he was only speaking to me because Diana had asked him to – although the series never hinted at an affair, it just showed them as good friends," Pasternak wrote in a piece for <a title="The Telegraph" href="https://www.telegraph.co.uk/royal-family/2022/11/02/wrote-dianas-affair-took-20-years-recover-backlash/" target="_blank" rel="noopener">The Telegraph</a> UK.</p> <p>"Diana was in constant contact with him during this time. He said that she thanked him on the phone for 'talking, as you know I can't. At least people will know the truth'."</p> <p>A year later, royal expert Andrew Morton's explosive new book came out and Diana feared his forthcoming next work would expose her affair with Hewitt.</p> <p>Diana decided to take control of the narrative of her relationship and called on Pasternak, who was soon tasked with writing the book with Diana's permission. </p> <p>Through Hewitt, Diana wanted Pasternak to write about their relationship so the "world could see that their love was genuine" and see why she had had an affair "in the face of Charles's rejection" believing the public "would not condemn her".</p> <p>Hewitt called Pasternak the night Prince Charles admitted, on television, to having a relationship with Camilla.</p> <p>He asked her to write the book in just five weeks, to beat the publication of Morton's second book.</p> <p>The author said she wrote <em>Princess In Love</em> because she needed money and "burning with injustice for our adored, lonely princess, I genuinely thought that I was helping her".</p> <p>The book was quickly condemned by the public and dismissed as "romantic nonsense", despite Diana soon confessing to her love affair with Hewitt in her BBC Panorama interview.</p> <p>Pasternak says Hewitt was "ruined by his confession" and "would never have spoken out in the first place without Diana's encouragement and consent".</p> <p>The author also admitted that she regretted the toll the book had on her reputation, her family and the royal family.</p> <p>"It took me ages to realise that I felt manipulated and used by Diana. Now, firmly Team Camilla, I feel sorry for Diana, Charles and Camilla. Each of them suffered at the hands of an unrelenting monarchy."</p> <p><em>Image credits: Getty Images </em></p>

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5 minutes with author John M. Green

<p dir="ltr">In the OverSixty “5 Minutes With” series, we ask book writers about their literary habits and preferences. Next up is John M. Green who is debuting his sixth book, <em>Framed</em>.</p> <p dir="ltr">John worked as a director at a leading investment bank for 30 years before deciding to pursue his writing career.</p> <p dir="ltr">Framed is inspired by the infamous robbery that took place at the Isabella Stewart Gardner Museum in Boston in 1990 and looks at the world of art theft and organised crime.</p> <p dir="ltr">With six books already published, John M. Green has started working on his seventh one. </p> <p dir="ltr">Watch this space. </p> <p dir="ltr"><strong>What inspired you to write <em>Framed</em>?</strong></p> <p dir="ltr">Being confronted by a series of empty frames on the walls inside Boston’s Isabella Stewart Gardner Museum, frames where thieves - in a billion-dollar art heist in 1990 - sliced out and stole three Rembrandts, a Vermeer and five works by Degas, among others, works that have never been recovered. From that day, I’ve been haunted by the question: where are these works today? </p> <p dir="ltr"><strong>You’ve written six books, did you do anything differently for <em>Framed</em>? </strong></p> <p dir="ltr">I wrote <em>Framed </em>while convalescing from open heart surgery, so readers might find a greater love of life in it. And due to the COVID lockdowns, I wrote <em>Framed </em>with far fewer distractions … I wasn’t travelling anywhere, for business or pleasure, I didn’t have to attend physical meetings, you know the rest. In many ways, it was my most satisfying writing experience, and I hope it shows in the reading.</p> <p dir="ltr"><strong>If you could tell your younger writer something, what would it be? </strong></p> <p dir="ltr"> Stop thinking about writing a novel, and actually start writing it. But most importantly, finish it.</p> <p dir="ltr"><strong>What is next on the agenda for you as an author? </strong></p> <p dir="ltr">While Framed is about art - and murder, my seventh novel is about theatre - and murder.</p> <p dir="ltr"><strong>What is one book you recommend everyone should read?</strong></p> <p dir="ltr">Where the Crawdads Sing by Delia Owens. I was utterly entranced. </p> <p dir="ltr"><em>Images: Supplied</em></p>

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To read or not to read? Is that the question?

<p>In June this year, a six-month-old interview went viral.</p> <p>Sarah Underwood is a 23-year-old British author whose debut YA novel, <a href="https://www.harpercollins.com.au/9780008518097/lies-we-sing-to-the-sea/" target="_blank" rel="noopener">Lies We Sing to the Sea</a>, has been described as a “<a href="https://www.waterstones.com/book/lies-we-sing-to-the-sea/sarah-underwood/9780008558536" target="_blank" rel="noopener">sapphic reimagining of the Odyssey</a>”. In an interview with a student magazine at Imperial College London, Underwood said that she had never read the Odyssey. No, not even in translation.</p> <p>Mockery ensued. Underwood was declared “Twitter’s main character” for the day. In a tweet liked by 11,290 people, the literary writer Brandon Taylor shared screenshots of the interview, commenting: “Some people should not be allowed to write books.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Some people should not be allowed to write books <a href="https://t.co/WIBaDDA272">pic.twitter.com/WIBaDDA272</a></p> <p>— Brandon (@blgtylr) <a href="https://twitter.com/blgtylr/status/1537175245530046465?ref_src=twsrc%5Etfw">June 15, 2022</a></p></blockquote> <p>Taylor’s acerbic takes are always a delight, and to any lover of reading the response to Underwood’s statement is understandable.</p> <p>But there is another way to look at it. Declarations of not-reading are not just complacent admissions of ignorance. Not-reading is not a simple absence of reading, a blank space where a text should be. It can be a mode of engaging with a text.</p> <p>After all, the decision not to read a text is based on a belief that we already know what it contains. We know (or think we know) what we are choosing to read or not read.</p> <p>In the case of the Odyssey, there is a lot of material to base that decision on. The orally-composed ancient Greek epic poem, first fixed in written form around the late 8th century BCE, is referenced in thousands of poems, stories, songs, films, video games, and other art forms. These works have been created over millennia, across hundreds of countries, languages and cultures.</p> <p>The Odyssey has been translated, rewritten, reimagined and riffed on in a myriad ways; it has meant many different things to many different people.The Odyssey is not the only text that has, as the author Geoff Ryman puts it, “kept on growing […] gaining meaning with each repeat”. More recent examples include multiple retellings of Jane Austen’s novels and L. Frank Baum’s The Wonderful Wizard of Oz (1900), the subject of Ryman’s luminous novel of not-reading, <a href="https://www.hachette.com.au/geoff-ryman/was" target="_blank" rel="noopener">Was</a>.</p> <p>The long, broad, multiplicitous reception histories of texts like these burst the boundaries of their “original” forms. As Ryman observes, they grow, fragment, and spread as “a thousand icons scattered through advertising, journalism, political cartoons, music, poetry”.</p> <p>Through ongoing engagements with these fragmentary, second-hand Odysseys, Sarah Underwood has constructed an image of the Odyssey. In his book <a href="https://www.routledge.com/Translation-Rewriting-and-the-Manipulation-of-Literary-Fame/Lefevere/p/book/9781138208742" target="_blank" rel="noopener">Translation, Rewriting, and the Manipulation of Literary Fame</a> (2016), Andre Lefevere says this is exactly what “the majority of readers […] mean” when they “say they have ‘read’ a book”. They mean “that they have a certain image, a certain construct of that book in their heads”.</p> <p>Pierre Bayard, the world’s funniest literary theorist (and one of the sharpest), takes this argument further in <a href="https://www.bloomsbury.com/au/how-to-talk-about-books-you-havent-read-9781596917149/" target="_blank" rel="noopener">How To Talk About Books You Haven’t Read</a> (2007).</p> <p>He says that after a person has read a book, they have only the memory of it, an image in their head. But a person who hasn’t read the book may have a very similar image of it in their head, gleaned from second-hand sources, in much the same way that Albrecht Dürer drew his <a href="https://www.metmuseum.org/art/collection/search/356497" target="_blank" rel="noopener">“Rhinoceros”</a> without ever having seen a real rhinoceros.</p> <p>Reading (or not-reading) is a fuzzy phenomenon that, as Bayard observes, “does not obey the hard logic of true and false”.</p> <h2>Filtered interpretations</h2> <p>But isn’t there something to be said for going directly to a text, rather than looking at it through a filter of other people’s interpretations? This idea also turns out to be a mirage.</p> <p>Even if Sarah Underwood had read the Odyssey in the original Greek, she would not have been accessing it directly. The text she read would be compiled by a <a href="https://www.cambridge.org/core/books/work-and-the-reader-in-literary-studies/F9FD2AC33A78BCF5A670BE71C9A7045E" target="_blank" rel="noopener">modern-day editor</a>, who has made thousands of interpretative choices, adjudicating between conflicting manuscript versions. Underwood’s reading would be guided by the introduction and notes in the edition she chose, and by her access to multiple other modern-day interpretative aids, such as dictionaries and commentaries.</p> <p>When the distinction between reading and not-reading is so blurry, an open declaration of not-reading can be seen as a rhetorical device, a position statement.</p> <p>In this context, Sarah Underwood is in good company. There are many other famous not-readers of the Odyssey, including the filmmakers Joel and Ethan Coen, who claimed they had only read the classic comics version before making <a href="https://www.cbsnews.com/news/the-coen-brothers-wacky-odyssey/" target="_blank" rel="noopener">O Brother, Where Art Thou?</a>.</p> <p>In his epic poem <a href="https://us.macmillan.com/books/9780374523503/omeros" target="_blank" rel="noopener">Omeros</a>, the Nobel Prize winner <a href="https://www.poetryfoundation.org/poets/derek-walcott" target="_blank" rel="noopener">Derek Walcott</a> has his poet-narrator address the spirit of Homer and admit</p> <p>I never read it<br />Not all the way through.</p> <p>Through this deliberately irreverent statement, Walcott positions himself at a subversive distance – not so much from Homer himself as from the appropriation of Homer’s work by a <a href="https://www.bloomsbury.com/us/classics-and-colonialism-9780715633113/" target="_blank" rel="noopener">conservative, colonial tradition</a> of reading Homer as the wellspring and property of “<a href="https://pharos.vassarspaces.net/2021/08/25/greek-myth-pharos-surveys/" target="_blank" rel="noopener">Western civilisation</a>”.</p> <p>Walcott’s claim to have “not read” Homer is actually a claim to have engaged with his work in a deliberately improper manner – that is, on terms other than those of the dominant culture. Instead, Walcott tells us, he has encountered Homer through the living voice of the author, through his complex reception history, and through the landscape and people of the Caribbean.</p> <p>By not-reading, Walcott <a href="https://www.sfu.ca/~andrewf/CONCEPT2.html" target="_blank" rel="noopener">blasts Homer out of the continuum of history</a> – out of the meanings assigned to him by a Western colonialist tradition – and gives him new life in a rich new context.</p> <p>Just like reading, not-reading can be simple or complex, reactionary or progressive. It can be complicit with a dominant culture, or resistant to it.</p> <p>The question of whether Sarah Underwood has or hasn’t read Homer is a red herring. What matters is whether she recontextualises the old stories in a way that responds to our contemporary concerns. And ironically, to find that out, we will have to read her book.</p> <p><em><strong>This article originally appeared on <a href="https://theconversation.com/to-read-or-not-to-read-is-that-the-question-185393" target="_blank" rel="noopener">The Conversation</a>.</strong></em></p> <p><em>Image: Shutterstock</em></p>

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5 minutes with author Sally Piper

<p dir="ltr">In the Over60 “5 Minutes With” series, we ask book writers about their literary habits and preferences. Next up is Sally Piper who is debuting her third book, <em>Bone Memories</em>.</p> <p dir="ltr">Piper worked as a nurse and nurse educator, specialising in neurosurgical critical care and decided to use her experience in people’s vulnerabilities to write her books.</p> <p dir="ltr">With <em>Bone Memories</em>, Piper explores grief, family, murder and media representation of female victims of crime. </p> <p dir="ltr"><em>Bone Memories</em> is out now and can be purchased <a href="https://www.uqp.com.au/books/bone-memories" target="_blank" rel="noopener">here</a> and enjoy the <a href="https://d3f44jafdqsrtg.cloudfront.net/book-clubs/BookClubNotes_Bone-Memories.pdf" target="_blank" rel="noopener">book club notes</a> with your friends.</p> <p dir="ltr"><strong>What inspired you to write Bone Memories?</strong></p> <p dir="ltr">The story grew first from questions I had about how victims and survivors of a crime might memorialise the site where their trauma had occurred. I wondered whether being close to this ground brought people comfort or if proximity to it harmed them further. I wondered what it made their grief look and feel like when they moved across that ground and how that relationship might affect them or change over time.</p> <p dir="ltr">Through the story, I hoped to explore how trauma lives in the body and for some people how it also lives in the land where that trauma occurred; how history and geography for some are inextricably linked. And I wanted to explore how people reconcile this link or what happens if they are unable to.</p> <p dir="ltr">Equally, I often think about the effect that witnessing violence has on children, even if they have little or no memory or understanding of the event. Would they have some innate sense that they had witnessed something terrible? If so, how might this play out as they matured?</p> <p dir="ltr">In writing Bone Memories, I hoped to answer these questions. But as is often the case with any writing project, once you get into it, doors open to other thinking as well. With this story I was once again drawn into what forces impact upon women's safe and free movement through the world (something I explored in my previous novel,<a href="https://www.uqp.com.au/books/the-geography-of-friendship" target="_blank" rel="noopener"> The Geography of Friendship</a>), but this time I looked at it in the way that the media represents female victims of crime; how some crimes against women are reported with a sympathetic narrative, one that elicits intense social empathy, and at other times women are essentially blamed for their own deaths.</p> <p dir="ltr"><strong> Where do you get your information or ideas for your books?</strong></p> <p dir="ltr">I read widely and often around obscure topics, which inevitably takes me down rabbit holes of thinking, so ideas I hadn’t previously considered important suddenly become so. This is the best kind of information gathering, because it is unexpected. It is also one of the reasons I never plan my stories, allowing them to evolve organically. And neither do I allow myself to know the ending of a novel. Because if I get surprises along the way, then it is my hope that readers will too.   </p> <p dir="ltr"><strong>How do you deal with writer’s block?</strong></p> <p dir="ltr">Writer’s block is a phrase I won’t use in relation to my writing practise. It sounds too much like a disease that I’m at risk of ‘catching’. When I’m struggling to start or progress a work it is usually because I haven’t thought enough about what it is I want to say. Or as Jonathan Franzen puts it: ‘the blank page in the mind has to be filled before you have the courage to face the actual blank page.’ Which is to say, think first, write later. If I get stuck, I go back to the original questions I began the story with: What do I want this story to say? What are the themes and issues I want it to address? Who are the stakeholders? Not being able to find the words is often because I have lost sight of the answers, or I need to ask myself new or better questions.</p> <p dir="ltr">There is also something else that can stop a work in its tracks, which masquerades as writer’s block: procrastination. But procrastination is a defence mechanism, another word for fear or a lack of self-belief. It protects us from criticism. It keeps us safe from failure. It saves us digging deeply into the personal stuff of what we’re writing about, which is often the place where the gold is found. The solution then is to find courage, trust yourself and persevere.  </p> <p dir="ltr"><strong>What is your work schedule like when you're writing?</strong></p> <p dir="ltr">When working on a new project, I write most days, mainly in the morning. The afternoon is usually spent editing that morning’s work, often after a bushwalk, an activity I call writing away from the desk. Once away from the work, I see it through a different lens: an editorial one. I find the rhythm of walking allows for clearer thinking, helped in no small part by fresh air and the calming beauty of the bush. With this clarity I can usually work out what isn’t working in the story, and often why as well, so that I come back with a solution. Sometimes I cut the walk short because I’m excited to get back and make the changes.</p> <p dir="ltr"><strong>Do you expect Bone Memories to become a TV series?</strong></p> <p dir="ltr">I think every writer has a secret dream that their story will be reimagined for the screen, and there certainly is more scope for these opportunities now with the rise of streaming services such as Netflix and Stan. When this dream came true for my second novel, The Geography of Friendship, which is to be made into a 6-part TV series by Aquarius Films and Rose Byrne’s Dollhouse Pictures, I was absolutely thrilled to think that the characters in that story would be reimagined in this way. So, it is hard not to hope for the same thing for my third novel, Bone Memories. It is a deeply human, family-centric story with strongly realised characters and a sharp eye for the Australian landscape, so I think it would make an excellent adaptation. But of course, I’m not at all biased!</p> <p dir="ltr"><em>Images: Fiona Muirhead/Supplied</em></p>

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How to Murder Your Husband author sentenced to life in prison

<p dir="ltr">The author who once penned an essay “How to Murder Your Husband” was sentenced to life in prison for murdering her husband at his workplace. </p> <p dir="ltr">Nancy Crampton Brophy, 71, was found guilty of second-degree murder for shooting dead her chef husband Daniel Brophy, 63, back in June 2018. </p> <p dir="ltr">Following the seven week trial, Nancy was sentenced to life in prison on June 13 and will only be eligible for parole after serving 25 years in custody. </p> <p dir="ltr">Prosecutors told the court that Crampton Brophy killed her husband to claim her husband’s $1.4 million life insurance policy. </p> <p dir="ltr">They said that she was collecting gun pieces in the moments leading to Daniel’s death before killing him at the Oregon Culinary Institute. </p> <p dir="ltr">Footage presented to the Multnomah County courtroom showed that Crampton Brophy in fact owned the same make and model of the gun that killed her husband.</p> <p dir="ltr">She was also seen driving to and from the culinary institute when Daniel was killed and found by his students. </p> <p dir="ltr">Her defence team argued that she was collecting them for a new book she was writing - about a woman who slowly collected gun parts to complete a weapon and get back at her abusive husband.</p> <p dir="ltr">They said that Crampton Brophy and Daniel were in a loving relationship for almost 25 years. </p> <p dir="ltr">The jury of five men and seven women deliberated the case for eight hours before delivering the guilty verdict.</p> <p dir="ltr">One of Crampton Brophy’s attorneys, Lisa Maxfield said they are looking to appeal.</p> <p dir="ltr">Crampton Brophy is due to be sentenced on June 13.</p> <p dir="ltr"><em>Images: Twitter</em></p>

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Readers Respond: What were the best books you’ve read this year?

<p dir="ltr">They say old is gold and nothing compares to holding an actual book to escape reality.</p> <p dir="ltr">But when was the last time you saw someone reading an actual book? And no, a Kinder or iPad does not count.</p> <p dir="ltr">(Yes, we’ll completely ignore the fact that you are reading this on a device as well. But this is not a BOOK now, is it?)</p> <p dir="ltr">It’s quite rare, but nothing beats holding a book and being able to turn the pages, and technology just won’t ever fully replace that feeling. </p> <p dir="ltr">So we decided to ask our audience about some of the best books you’ve read in the past year. </p> <p dir="ltr">Some titles were so interesting that we’ve added them to our own list of books to read. </p> <p dir="ltr">Check out some of your responses below. </p> <p dir="ltr">Valerie Brown - The Seven Sisters by Lucinda Riley. A story within a story of each book. Have just read the last in the series - The Missing Sister.</p> <p dir="ltr">Kathy-Colin Macdonald - April Fools Day by Bryce Courtney. I don't like his fiction stories but this is an eye opener. Written with love about his son a haemophilia, who dies of AIDS from a blood transfusion in the 80s or 90s when being gay was definitely not acceptable and AIDS was a gay disease. Truly moving.</p> <p dir="ltr">Margaret Louise Pavlovic - The Girl Who Left by -Deborah Gravonich wrote this true story about her mother leaving war torn Croatia. Great read.</p> <p dir="ltr">Helen Ulgekutt - A Gentleman in Moscow by Amor Towles. Great story, easy reading!</p> <p dir="ltr">Carol Jean - Fall and Rise by Mitchell Zuckoff and Every Day is a Gift by Tammy Duckworth.</p> <p dir="ltr">Kerri Anderson - Boy Swallows Universe by Trent Dalton.</p> <p dir="ltr">Robyn Bright - The Happiest Man On Earth by Eddie Jaku.</p> <p dir="ltr">Peter Baly - Ken Follett’s latest book Never. So close to the truth of what could happen in the current climate when nations start using nuclear weapons against each other. Compelling reading.</p> <p dir="ltr">Pauline Cox - Too many to count. I don't read, I devour. </p> <p dir="ltr">If you’d like to share some of your best reads, click <a href="https://www.facebook.com/oversixtyNZ/posts/pfbid02xqur6Z8wXHiGJ3huunap27Ze9vm4YaVyLibAFUw8c7SB6axJP2tqaa9tBB8Paqbzl" target="_blank" rel="noopener">here</a>. </p> <p dir="ltr"><em>Image: Shutterstock</em></p>

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Little Ash is now ready to inspire the next generation

<p dir="ltr">Ash Barty’s children’s book is all ready for pre-order just three months after announcing her retirement from tennis. </p> <p dir="ltr">The former World No.1 shocked fans across the world when she announced on March 23 that she would be retiring from tennis.</p> <p dir="ltr">The 25-year-old then came out to say that she will be writing a children’s book series called Little Ash, which is now ready for pre-order and set for release in July.</p> <p dir="ltr">Ash teamed up with First Nations creatives Jasmin McGaughey and Jade Goodwin “to bring young readers this fun and exciting new illustrated series about school, sport, friendship and family”.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CeR-8C4BhGa/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CeR-8C4BhGa/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Ash Barty (@ashbarty)</a></p> </div> </blockquote> <p dir="ltr">“I’ve been working on something special that I’m excited to share with you! Coming in July, Little Ash is a series of books for young readers aged five and up,” she wrote on Instagram. </p> <p dir="ltr">“Reading to my nieces and nephew is something I love to do, and seeing their little faces light up when we read a book they love is magic. </p> <p dir="ltr">“With First Nations writer Jasmin McGaughey and illustrator Jade Goodwin, I’ve created Little Ash to be fun and relatable for all kids.</p> <p dir="ltr">“Supporting kids’ education is something I’m passionate about and if I can help encourage new readers that will make me very happy.</p> <p dir="ltr">“The Little Ash series is now available to pre-order!”</p> <p dir="ltr"><em>Images: Instagram</em></p>

Books

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“How to Murder Your Husband” author convicted for murdering husband

<p dir="ltr">An author who wrote an essay about “How to Murder Your Husband” has been convicted of murdering her husband.</p> <p dir="ltr">Nancy Crampton Brophy, 71, was found guilty on Wednesday of second-degree murder for shooting dead her chef husband Daniel Brophy, 63, back in June 2018. </p> <p dir="ltr">Prosecutors told the court that Crampton Brophy killed her husband to claim her husband’s $1.4 million life insurance policy. </p> <p dir="ltr">They said that she was collecting gun pieces in the moments leading to Daniel’s death before killing him at the Oregon Culinary Institute. </p> <p dir="ltr">Footage presented to the Multnomah County courtroom showed that Crampton Brophy in fact owned the same make and model of the gun that killed her husband.</p> <p dir="ltr">She was also seen driving to and from the culinary institute when Daniel was killed and found by his students. </p> <p dir="ltr">Her defence team argued that she was collecting them for a new book she was writing - about a woman who slowly collected gun parts to complete a weapon and get back at her abusive husband.</p> <p dir="ltr">They said that Crampton Brophy and Daniel were in a loving relationship for almost 25 years. </p> <p dir="ltr">The jury of five men and seven women deliberated the case for eight hours before delivering the guily verdict.</p> <p dir="ltr">One of Crampton Brophy’s attorneys, Lisa Maxfield said they are looking to appeal.</p> <p dir="ltr">Crampton Brophy is due to be sentenced on June 13.</p> <p dir="ltr"><em>Images: Twitter</em></p>

Legal

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5 minutes with author D.L. Hicks

<p dir="ltr">In the Over60 “5 Minutes With” series, we ask book writers about their literary habits and preferences. Next up is D.L. Hicks who is debuting his second book, <em>The Fallback</em>.</p> <p dir="ltr">D.L. Hicks has worked as an officer with the Victorian Police for more than 25 years and decided to put all his real-life experiences on the frontline on paper. </p> <p dir="ltr">Using his frontline experience, D.L. Hicks brings you along the journey that explores desperation, vulnerability, the lengths people will go to to get what they want, and whether you can ever change who you truly are.</p> <p dir="ltr"><em>The Fallback is available for <a href="https://www.booktopia.com.au/the-fallback-d-l-hicks/book/9780648677048.html" target="_blank" rel="noopener">preorder now</a> and is due for release on May 31.</em></p> <p dir="ltr"><strong>1. How has your background of being a police officer contributed to your writing style?</strong></p> <p dir="ltr">One of the most common pieces of advice given to any writer is ‘write what you know’, and I’m no exception when it comes to that. As well as bearing witness to crimes and criminal activity, being a police officer gives me a firsthand insight into the effect this type of behaviour has on victims and offenders, as well as the emergency workers whose job it is to attend critical incidents. From the most minor car accident to a life-threatening assault or even a homicide, police officers are tasked with taking control of the situation, investigating it and hopefully bringing it to some sort of resolution. To be able to draw on those experiences from a career approaching 30 years in the job is a valuable tool for me as a writer – not only in terms of plot and story arc but also in observing the characteristics of different people involved and the manner in which they deal with things. Hopefully being an ‘insider’ in this world gives my writing authenticity and credibility.</p> <p dir="ltr"><strong>2. How long were you thinking of writing <em>The Fallback</em> before you decided to go ahead with it?</strong></p> <p dir="ltr">The idea for The Fallback had been buzzing around in my head for some time before I actually put it down on paper. Once I had overcome the excitement of having my first book – <em>The Devil Inside</em> – published and out in the world, I was then able to focus more on The Fallback and expand on the initial concept. The writing and editing process to get this novel to the point where it now appears on the shelf took around 18 months to 2 years, squeezed in around full-time police work and existing in a family including two teenagers!</p> <p dir="ltr"><strong>3. What was one of the most surprising things you learned when writing your book?</strong></p> <p dir="ltr">Although it shouldn’t be surprising, the editing process – in sharpening a rough diamond first draft into something that can actually be released – amazes me. There are so many character story arcs that require fleshing out or resolution, and so much additional information that is added to round out characters and enrich the overall quality of the novel. It is definitely a collaborative process – so much work is put in by the writer and their editor after the initial story has been written to make the finished product so much more polished than what was first put on the page.</p> <p dir="ltr"><strong>4. What book(s) are you reading right now?</strong></p> <p dir="ltr">I am constantly reading – it is one thing I love doing and always try and make time for, even if it’s just a chapter or two in bed at night. Most books I read are crime novels – Christian White, Jane Harper, Jo Nesbo, Michael Robotham, Chris Hammer, Lee Child – however in saying that, I am always open to good book recommendations from any genre. The best two books I have read lately are not crime fiction at all – Bluebird by Malcolm Knox, and Still Life by Sarah Winman. I have just finished Kill Your Brother by Jack Heath – definitely a crime novel!</p> <p dir="ltr"><strong>5. How do you deal with writer’s block?</strong></p> <p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;">I haven’t had to deal with writer’s block too much yet, although there are certainly times where things flow better than others. Taking a break can be useful – getting out in the fresh air walking the dog, leaving the writing aside for a small period of time and then returning to it can usually get the creative thoughts flowing again. Sometimes I think it’s beneficial to just try to just focus on getting something down on the page - even if it isn’t award winning literature – to progress the storyline. Once the words are down they can always be sharpened up at a later stage. </p>

Books

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Barty reveals new major sporting career move

<p dir="ltr">Ash Barty has announced a completely new career change after retiring from professional tennis.</p> <p dir="ltr">The former World No.1 <a href="https://oversixty.com.au/news/news/ash-barty-announces-retirement" target="_blank" rel="noopener">announced her retirement</a> in a video interview on Instagram on March 23, thanking those who supported her along the way.</p> <p dir="ltr">After announcing that she will be <a href="https://oversixty.com.au/news/news/ash-barty-reveals-surprise-career-move" target="_blank" rel="noopener">writing a book series</a> titled Little Ash as well as a memoir to be released later in the year, Ash revealed she will head to the US to play professional golf. </p> <p dir="ltr">The 25-year-old will head over to the US to play in the Icons Series which will take place at the Liberty National course in New Jersey. </p> <p dir="ltr">Ash has already been spoken highly of by Icons Series chief executive Thomas Brookes. </p> <p dir="ltr">“She’s absolutely terrific,” he told <a href="https://www.smh.com.au/sport/golf/what-ash-did-next-barty-to-play-in-global-golf-tournament-20220418-p5aeaa.html?utm_medium=Social&amp;utm_source=Twitter#Echobox=1650323600-1" target="_blank" rel="noopener">Fairfax</a>.</p> <p dir="ltr">“She did a range session with Ian Poulter, who is one of our future captains in September when she was at the US Open, and she had not hit a golf ball for a while. Ian said, ‘just hit a few balls and we’ll see how you go’.</p> <p dir="ltr">“She hit this ball, I don’t know how far. And he turned around and said, ‘you’re having me on. Let’s just take it a bit deeper. Can you do me a high fade?’ And she did a high fade. Then he said, ‘can you do me a low draw?’ And she did a low draw.</p> <p dir="ltr">“He said, ‘oh my goodness, you are something else’. She’s got those skill sets within her locker. With a bit of practice she can get lower than a three or four handicap. I know she’s really, really excited to be playing in New York and she’s also really keen to bring the concept to Australia.”</p> <p dir="ltr">Ash will be captained by Ernie Els and will play in the inaugural nine-hole team match alongside boxer Carnelo Alvarez, Manchester City soccer manager Pep Guardiola and Tottenham striker Harry Kane. </p> <p dir="ltr">“I’m excited to be part of the Icons Series and I hope through my participation in the series that we can encourage more women and girls to participate in golf around the world,” Ash said.</p> <p dir="ltr">She hopes all Aussie fans in New York and New Jersey will come out and cheer her and her teammates on. </p> <p dir="ltr"><em>Image: Instagram</em></p>

News

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5 minutes with author Patti Miller

<p dir="ltr">In the <em>Over60 “5 Minutes With”</em> series, we ask book writers about their literary habits and preferences. Next up is Patti Miller, who is debuting her novel <em>True Friends</em> - <a href="https://www.uqp.com.au/books/true-friends" target="_blank" rel="noopener">out now</a>!</p> <p dir="ltr">Patti Miller is an Australian writer and holds a Bachelor in Communications and a Masters in Writing from the University of Technology. She is the author of 10 books and numerous articles and essays that have been published in national newspapers and literary magazines.</p> <p dir="ltr">In <em>True Friends</em>, a memoir, Patti reflects on the making (and unmaking) of some of her most treasured friendships, the importance of this relationship in our lives, how we choose our friends and how they shape our lives.</p> <p dir="ltr">Over60 spoke to Patti and asked about where her love of writing came from, and how her experiences helped shape her book <em>True Friends</em>.</p> <p dir="ltr"><strong>1. How did you come up with the idea for <em>True Friends</em>?</strong></p> <p dir="ltr">To be truthful, it came more from a feeling than an idea. I was boarding a flight in Paris and suddenly saw someone ahead of me on the air-bridge who looked like a friend who had recently ended her friendship with me. It wasn’t her, but I noted the turmoil it caused in me and once I was on the plane I started taking notes about it. I realised that while the endings of romantic relationships were often the subject of novels, memoirs, poems, song and films, the hurt of a friendship ending was rarely written about. By the time I arrived back in Sydney, I knew I had a book to write.</p> <p dir="ltr"><strong>2. What do you look for when making friends?</strong></p> <p dir="ltr">I think I am drawn to someone’s energy – their engagement with the world, their attention to it. I value self-awareness, openness, thoughtfulness, kindness, interest in and connection to the world. And then if I find out they like books and reading – well that’s a big plus!</p> <p dir="ltr"><strong>3. If you're comfortable sharing, what was the greatest friendship loss that happened to you?</strong></p> <p dir="ltr">There’s two kinds of losses in friendship – a break-up, and death. A friend has recently died and I have felt that loss deeply as she was formative for me. She shaped my thinking and my life to a certain extent. But I have also lost a friendship due to break up, which was bewildering and which became a central thread in <em>True Friends</em>.</p> <p dir="ltr"><strong>4. What is your advice for your readers who are looking to make new friends?</strong></p> <p dir="ltr">It’s so different for everyone that I don’t think I can give advice. Generally though, it’s a matter of being open to others. Listening to them, asking questions, rather than talking about yourself too much. That way, you can start connecting to them.</p> <p dir="ltr"><strong>5. What is the importance in knowing oneself and one's friends?</strong></p> <p dir="ltr">I’m going to quote from <em>True Friends</em> to answer this one: “Friends also share similar versions of the world... Together you and I not only acknowledge the reality of each other, but of our world. It is really there, that stand of gum trees, that mad leader, that childhood we told each other about, it all exists. Because we agree that it does.”</p> <p dir="ltr">That is, in knowing yourself and others, you re-affirm each other’s version of existence.</p> <p dir="ltr"><strong>6. What book(s) do you think people should read?</strong></p> <p dir="ltr">Well, clearly <em>“True Friends”</em>!! But also the wonderful set of novels by Elena Ferrante, starting with <em>“My Brilliant Friend”</em>. They are the best novels about a long friendship that I’ve come across. My book is nonfiction, drawing on my own experience, but I suspect Ferrante’s novels also draw on her own experience of friendship.</p>

Books

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5 minutes with author Lyn McFarlane

<p dir="ltr">In the<em> Over60</em> <em>“5 Minutes With”</em> series, we ask book writers about their literary habits and preferences. Next up is Lyn McFarlane, who is debuting her novel <em>The Scarlet Cross</em> on March 29. </p> <p dir="ltr">Lyn McFarlane is a Canadian-Australian writer, lawyer and former freelance journalist. She splits her time between Sydney, Australia and Vancouver Island, Canada. She holds degrees in economics and journalism and a masters in law. <em>The Scarlet Cross</em> won the Arthur Ellis Prize for Best Unpublished Manuscript in 2019.</p> <p dir="ltr"><em>The Scarlet Cross</em> will keep the reader on their toes as they join Meredith Griffin in the emergency department at St Jude Hospital, who questions why women who all had the same fatal injury were labelled as suicides. </p> <p dir="ltr"><em>Over60</em> spoke to Lyn and asked about where her love of writing came from, how much her own law history contributed to her book, and the inspiration behind <em>The Scarlet Cross</em>.</p> <p dir="ltr"><strong>Could you tell us about your background and your writing style?</strong></p> <p dir="ltr">I have always loved language, and have a deep fondness for writers who can use words with precision and economy. My background as a lawyer may contribute to this, but even before I studied and practiced law, I relished authors - Raymond Carver, Colm Tobin or Cormac McCarthy, spring to mind - who deliver writing that is clean and sparse on its face, but has a top spin that knocks you off your feet. This is the writing style that I aspire to. </p> <p dir="ltr"><strong>What book(s) are you reading right now?</strong></p> <p><em>Crossroads</em> by Jonathan Franzen, <em>The Way it is Now</em> by Garry Disher, and <em>Olive, Again</em> by Elizabeth Strout.</p> <p dir="ltr"><strong>With a background in journalism and degrees in law and economics, did you find that this helped you break into crime writing or help your writing in any way?</strong></p> <p>I have always wanted to write fiction and I have several unpublished short stories and half-written manuscripts to prove it! I don’t think my education and professional life were critical to being a novelist, but both things helped me find the discipline and confidence to follow an idea through to the end of a finished manuscript.</p> <p dir="ltr">You need many things to write a novel. People may think creativity and talent are the main ingredients, but I think it mostly requires hard work, energy, grit, confidence and, in homage to Virginia Woolf, a room of one’s one. It’s also critical to have the support of others around you. All of the things I have done in my life, and all of my relationships, contributed to the writing of <em>The Scarlet Cross</em>.</p> <p dir="ltr"><strong>What inspired you to write <em>The Scarlet Cross</em>?</strong></p> <p dir="ltr">The seed for <em>The Scarlet Cross</em> was planted by my sister, who is an avid crime reader and a former psychiatric nurse. She suggested a hospital as the main setting for a crime. We both agreed that hospitals were these unique public places and the frontline workers within them are often on the coal face of crime. The kernel for the idea was a simple question: What if an emergency nurse observes patients coming in with similar, strange cuts?</p> <p>Those two ideas - the hospital setting and the pattern of patient deaths - set me off on my journey. Then, when I started building the characters, I realised I wanted to have these characters grapple with several important social issues: how people who have mental health issues manage them and how their families help of hinder that; sexual harassment and bullying in the workplace; institutional power.</p> <p dir="ltr"><strong>Which author, living or deceased, would you most like to have dinner with?</strong></p> <p dir="ltr">I think this is the hardest question of all! There are so many, but I would say Margaret Atwood, because acidic wit makes for great dinner table banter.</p> <p dir="ltr"><strong>What book (or books) do you think more people should read?</strong></p> <p dir="ltr"><em>Middlemarch</em> by George Eliot for its piercing intelligence and broad vision of humanity. </p> <p dir="ltr"><strong>How do you deal with writer’s block?</strong></p> <p dir="ltr">I use a mix of practicality, discipline and distraction. The practicality is inspired by a quote from Geraldine Brooks that I have on the corkboard above my computer. It’s a simple question: “Do bricklayers get bricklaying block?” What a lovely chastisement to just “Get on with it”! The discipline comes from my ballet training and my legal career and it says to me: “Lyn, just sit your butt in that chair and start.” The distraction is usually physical - I get up and go for a walk or do yoga. Or, I put on music. Or I do some scaffolding writing, which is writing about what I am writing - to feel like I am advancing the project.</p>

Books