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Best-selling author diagnosed with "aggressive" brain cancer

<p>Best-selling author Sophie Kinsella has shared that she has been fighting "aggressive" brain cancer since the end of 2022. </p> <p>The British writer took to Instagram to reveal she was diagnosed with glioblastoma 18 months ago, and shared why she chose to keep the devatstsing news out of the spotlight. </p> <p>The 54-year-old said she wanted to "make sure my children were able to hear and process the news in privacy and adapt to our new normal" before going public with her diagnosis. </p> <p>"I have been under the care of the excellent team at University College Hospital in London and have had successful surgery and subsequent radiotherapy and chemotherapy, which is still ongoing," she told her followers on Instagram.</p> <p>"At the moment all is stable and I am feeling generally very well, though I get very tired and my memory is even worse than it was before!"</p> <p>Kinsella said she is "so grateful to my family and close friends who have been an incredible support to me, and to the wonderful doctors and nurses who have treated me."</p> <p>She also thanked her readers for their "constant support", adding how the reception of her latest novel <em>The Burnout</em>, released in October 2023, "really buoyed me up during a difficult time."</p> <p>She ended her statement by saying, "To everyone who is suffering from cancer in any form I send love and best wishes, as well as to those who support them."</p> <p>"It can feel very lonely and scary to have a tough diagnosis, and the support and care of those around you means more than words can say."</p> <p><em>Image credits: Getty Images </em></p>

Caring

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"What a life I’ve had": Author announces own death after years of battling dementia

<p>Wendy Mitchell has died aged 68 after documenting her brave battle with dementia. </p> <p>The author from Walkington, East Yorkshire, became the best-selling writer after she was diagnosed with early onset vascular dementia and Alzheimer's in July 2014. </p> <p>She shared her philosophical outlook on living with the condition in her acclaimed 2018 memoir <em>Somebody I Used To Know </em>and in her 2022 book <em>What I Wish I Knew About Dementia</em>.</p> <p>In an <a href="https://whichmeamitoday.wordpress.com/2024/02/22/my-final-hug-in-a-mug/" target="_blank" rel="noopener">open letter</a> shared online, the author announced her death and revealed that she had refused to eat or drink towards the end of her battle. </p> <p>"If you’re reading this, it means this has probably been posted by my daughters as I’ve sadly died," she began. </p> <p>"Sorry to break the news to you this way, but if I hadn’t, my inbox would eventually have been full of emails asking if I’m OK, which would have been hard for my daughters to answer… </p> <p>"In the end I died simply by deciding not to eat or drink any more," she wrote. </p> <p>She added that the last cup of tea she had, her "final hug in a mug" was "the hardest thing to let go of". </p> <p>"Dementia is a cruel disease that plays tricks on your very existence. I’ve always been a glass half full person, trying to turn the negatives of life around and creating positives, because that’s how I cope." </p> <p>Mitchell said that the language used by doctors can "make or break" how someone copes with dementia, and instead of saying there's "nothing they can do" it is better to tell them they will have to "adapt to a new way of living". </p> <p>"Well I suppose dementia was the ultimate challenge. Yes, dementia is a bummer, but oh what a life I’ve had playing games with this adversary of mine to try and stay one step ahead," she wrote in her final blog post. </p> <p>She also said that she had always been resilient, which has helped her cope with whatever life throws in her way. </p> <p>Mitchell has been an advocate for assisted dying in the UK, and said that "the only legal choice we shouldn’t have in life is when to be born; for everything else, we, as humans, should have a choice; a choice of how we live and a choice of how we die." </p> <p>She added that the way she died was an active choice as she doesn't want "to be an inpatient in a hospital, or a resident in a Care Home," as "it’s just not the place I want to end my years."</p> <p>"My girls have always been the two most important people in my life. I didn’t take this decision lightly, without countless conversations. They were the hardest conversations I’ve ever had to put them through. </p> <p>"This was all MY CHOICE, my decision. So please respect my daughters' privacy, as they didn’t choose the life I chose, of standing up to and speaking out against dementia." </p> <p>She then thanked everyone for their support and left with a touching final message. </p> <p>"So, enjoy this knowing that dementia didn’t play the winning card – I did."</p> <p><em>Images: Daily Mail</em></p> <p> </p>

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5 authors who hated the film adaptation of their book

<p>Most movies these days are adapted from something – whether it’s a book, a musical, a news story or even another film. However, commercial and critical success doesn’t necessarily guarantee everyone will be happy. Surprisingly, the authors of these 5 movies didn’t think much of the film adaptations of their books.</p> <p><strong>1. <em>Mary Poppins</em></strong></p> <p>Author of <em>Mary Poppins</em> P. L. Travers initially had no problem with her book being turned into a film, until she discovered that Disney had disregarded almost all of her edits. When it was released in 1964, then-65-year-old Travers voiced her disapproval at the animated scenes and the downplaying of Poppins’ stricter side. She reportedly spent most of the film premiere crying, and vowed never to let Disney near another of her books.</p> <p><strong>2. <em>The Shining</em></strong></p> <p>With such a prolific author like Stephen King, there are bound to be a few hits and misses when it comes to film adaptations. After King put his faith in acclaimed director Stanley Kubrick, whom he greatly admired, he found himself extremely disappointed in the final product, which went on to become a horror classic. “Kubrick just couldn't grasp the sheer inhuman evil of The Overlook Hotel,” the author explained. “So he looked, instead, for evil in the characters and made the film into a domestic tragedy with only vaguely supernatural overtones.”</p> <p><strong>3. <em>Forrest Gump</em></strong></p> <p>The 1995 Best Picture winner was a hit with everyone – except author Winston Groom, that is. Angry at the filmmakers for toning down the language and sexual references as well as omitting certain important plot points, Groom got back at Hollywood in the first few lines of the book’s sequel: “Don't never let nobody make a movie of your life's story,” he writes "Whether they get it right or wrong, it don't matter.” Groom sued the producers after failing to receive his promised 3% cut of the profits, and wasn’t mentioned in any of the six Oscar acceptance speeches by the cast and crew.</p> <p><strong>4. <em>A Clockwork Orange</em></strong></p> <p>It’s one thing to hate the film adaptation of your book, but to end up hating the book itself? It seems strange, but that’s exactly what happened to Anthony Burgess. Years after the release of the book and the film, Burgess claimed he regretted writing the book, which he wrote in three weeks and only because he was desperate for money, so was unhappy when it was turned into a film that “seemed to glorify sex and violence.” He adds, “The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die.”</p> <p><strong>5. <em>Willy Wonka and the Chocolate Factory</em></strong></p> <p>One of the most beloved films of all time, the adaptation of <em>Charlie and the Chocolate Factory</em> certainly wasn’t beloved by Roald Dahl. He thought the 1971 film was “crummy” and that Gene Wilder’s portrayal of Willy Wonka was “pretentious” and “bouncy”, claiming director Mel Stuart had “no talent or flair”. For this reason, as long as the rights to his work is in the hands of his family, you’ll never see the book’s sequel, <em>Charlie and the Great Glass Elevator</em>, grace the silver screen.</p> <p><em>Images: Getty</em></p>

Books

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Murder charge levelled at children's book author

<p>Author Kouri Richins wrote a children’s book on grief following the death of her husband in 2022. She is now being charged with his murder.</p> <p>Richins was arrested on May 7 in Utah and is accused of charging documents of poisoning her husband with a lethal dose of fentanyl at their home in Kamas, a small mountain town near Park City.</p> <p>Prosecutors allege Richins called authorities in the middle of the night in March 2022 to report that her husband, Eric Richins, was “cold to the touch”.</p> <p>The mum-of-three told authorities she had made her husband a mixed vodka drink to celebrate him selling a home and then went to soothe one of their children in their bedroom. She later returned and found her husband unresponsive, which prompted her to call 911.</p> <p>A medical examiner later found five times the lethal dosage of fentanyl in his system.</p> <p>Additionally, Richins is facing charges involving the alleged possession of GHB - a narcolepsy drug typically used in recreational settings, including at dance clubs.</p> <p>The charges, which are based on officers’ interactions with Richins that evening and the account of an “unnamed acquaintance” who claimed to have sold her the fentanyl, come two months after Richins appeared on local television to promote Are You With Me, a picture book she wrote to help children cope with the death of a loved one.</p> <p>For a segment called Good Things Utah, Richins referred to her husband’s death as unexpected and explained how it sent her and her three boys spiralling. In terms of children, she said, grieving was about “making sure that their spirit is always alive in your home”.</p> <p>“It’s ... explaining to my kid just because he’s not present here with us physically, doesn’t mean his presence isn’t here with us,” she told the reporters, who commended her for being an amazing mother.</p> <p>Richins’ lawyer, Sky Lazaro, declined to comment on the charges.</p> <p><em>Image credit: Instagram</em></p>

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Aussie author of "Puberty Blues" dies at 64

<p dir="ltr">Gabrielle Carey, co-author of the iconic novel <em>Puberty Blues</em>, has passed away at 64. </p> <p dir="ltr">The news was reportedly broken by Carey’s old friend and co-writer Kathy Lette, who was the other half of the creative powerhouse that brought<em> Puberty Blues </em>to life. </p> <p dir="ltr">In a post to social media, Lette shared a throwback picture of the pair in their younger years, and wrote, “I’m deeply saddened by the tragic news about my old friend Gabrielle Carey. </p> <p dir="ltr">“I have such happy memories of our teenage years. They were halcyon, heady days full of love, laughter and adventure.</p> <p dir="ltr">“We made some mischief and broke some barriers by writing <em>Puberty Blues</em> – our raw, earthy take on the brutal treatment of young women in the Australian surfing scene which is sadly, still so relevant. </p> <p dir="ltr">“My heartfelt condolences to her family and friends.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">I’m deeply saddened by the tragic news about my old friend Gabrielle Carey. I have such happy memories of our teenage years. They were halcyon, heady days full of love, laughter and adventure. 1/2 🧵 <a href="https://t.co/2wZZiRf1hd">pic.twitter.com/2wZZiRf1hd</a></p> <p>— Kathy Lette (@KathyLette) <a href="https://twitter.com/KathyLette/status/1654136967636959234?ref_src=twsrc%5Etfw">May 4, 2023</a></p></blockquote> <p dir="ltr">The groundbreaking book they penned together,  which went on to be adapted as both a movie and a hit TV series, was a candid - then-controversial - story of two teenage girls growing up in Sydney’s Sutherland Shire. </p> <p dir="ltr">It pushed boundaries, captivated young audiences while tackling themes many did not expect for said target audience, and is regarded by many as being the first Australian teenage novel to be written by teens.</p> <p dir="ltr">From <em>Puberty Blues</em>, Carey went on to publish memoirs and nonfiction works, with another of her books - her 1984 <em>Just Us</em>, which covered her relationship with rapist and prisoner Terry Haley, who she married while he was imprisoned - also made into a telemovie in 1986. </p> <p dir="ltr">No suspicious circumstances surrounded her death, according to <em>The Australian</em>, though the tragic news comes just months after she wrote about her father’s suicide in <em>The Sydney Morning Herald</em>. </p> <p dir="ltr">At the time, Carey had revealed she was afraid of reaching 64, as that was when he too had passed on.</p> <p dir="ltr">“It was only decades later, when my father died from suicide on the very day he turned 64, that I became terrified of that number,” she wrote. “If I have inherited my father’s disposition for depression, did that mean I would also end up in an early grave?</p> <p dir="ltr">Carey’s early passing is one that has hit her friends and her fans hard, with many joining Lette in sharing their grief and their condolences on social media. </p> <p dir="ltr">“Farewell dear Gabrielle. You were a sister in the cause of mental illness, its impact &amp; our children. I’m enriched for having known you,” one supporter wrote. “Thank you.”</p> <p dir="ltr">“Writer - Reader - Intellectual - Joycean (fanatical) - Elizabeth von Arnim devotee - Avid Gardener - Rose Petal Jam Maker - Football Follower - Kayaker - Yogi - Joker - Irrepressible Spirit - Hobbit - Underground Writer - My Friend,” friend and fellow writer Yumna Kassab wrote. “I will always miss you.”</p> <p dir="ltr">“So sorry for your loss,” one fan said in response to Lette’s tweet. “You have no idea how much as a girl growing up in a coastal town with a surfing scene I understood <em>Puberty Blues</em>. I saw it every day. You &amp; Gabrielle laid it all bare &amp; made girls stand up for themselves. Thank you”.</p> <p dir="ltr">“My deepest condolences Kathy,” another offered. “The two of you wrote something so treasured by Gen X girls. It was our ‘how to say no guide’. Our Teen handbook. But it still let us live our lives &amp; learn as we went. RIP Gabrielle Carey.”</p> <p dir="ltr"><em>Images: Facebook</em></p>

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Chatbots set their sights on writing romance

<p>Although most would expect artificial intelligence to keep to the science fiction realm, authors are facing mounting fears that they may soon have new competition in publishing, particularly as the sales of romantic fiction continue to skyrocket. </p> <p>And for bestselling author Julia Quinn, best known for writing the <em>Bridgerton </em>novel series, there’s hope that “that’s something that an AI bot can’t quite do.” </p> <p>For one, human inspiration is hard to replicate. Julia’s hit series - which went on to have over 20 million books printed in the United States alone, and inspired one of Netflix’s most-watched shows - came from one specific point: Julia’s idea of a particular duke. </p> <p>“Definitely the character of Simon came first,” Julia told <em>BBC</em> reporter Jill Martin Wrenn. Simon, in the <em>Bridgerton </em>series, is the Duke of Hastings, a “tortured character” with a troubled past.</p> <p>As Julia explained, she realised that Simon needed “to fall in love with somebody who comes from the exact opposite background” in a tale as old as time. </p> <p>And so, Julia came up with the Bridgerton family, who she described as being “the best family ever that you could imagine in that time period”. Meanwhile, Simon is estranged from his own father. </p> <p>Characterisation and unique relationship dynamics - platonic and otherwise - like those between Julia’s beloved characters are some of the key foundations behind any successful story, but particularly in the romance genre, where relationships are the entire driving force. </p> <p>It has long been suggested that the genre can become ‘formulaic’ if not executed well, and it’s this concern that prompts the idea that advancing artificial intelligence may have the capability to generate its own novel. </p> <p>ChatGPT is the primary problem point. The advanced language processing technology was developed by OpenAI and was trained using the likes of internet databases (such as Wikipedia), books, magazines, and the likes. The <em>BBC</em> reported that over 300 billion words were put into it. </p> <p>Because of this massive store of source material, the system can generate its own writing pieces, with the best of the bunch giving the impression that they were put together by a human mind. Across the areas of both fiction and non-fiction, it’s always learning. </p> <p>However, Julia isn’t too worried about her future in fiction just yet. Recalling how she’d checked out some AI romance a while ago, and how she’d found it “terrible”, she shared her belief at the time that there “could never be a good one.” </p> <p>But then the likes of ChatGPT entered the equation, and Julia admitted that “it makes me kind of queasy.” </p> <p>Still, she remains firm in her belief that human art will triumph. As she explained, “so much in fiction is about the writer’s voice, and I’d like to think that’s something that an AI bot can’t quite do.”</p> <p>And as for why romantic fiction itself remains so popular - and perhaps even why it draws the attention of those hoping to profit from AI generated work - she said that it’s about happy endings, noting that “there is something comforting and validating in a type of literature that values happiness as a worthy goal.”</p> <p><em>Images: @bridgertonnetflix / Instagram</em></p>

Books

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The most expensive books in the world

<h2>The Tales of Beedle the Bard</h2> <p>JK Rowling’s first book since the conclusion of the Harry Potter series fetched a huge chunk of change. Published in December 2007, Beedle was the complete book of fairy tales that play a crucial role in the final instalment of the Harry Potter series. JK Rowling produced seven separate handwritten copies of Beedle, filled with illustrations she herself had drawn. These books were incredibly beautiful: leather-bound, with silver and moonstones decorating the cover. Rowling gave six of these ‘Moonstone Editions’ to friends and people who worked on the Harry Potter books, but one went up for auction on Amazon. One mega-fan paid US$3.98 million for it, and Rowling donated the proceeds to a children’s charity. While far from the most expensive book on this list, Beedle was the priciest book ever purchased that was written and published in the twenty-first century.</p> <h2>Traité des Arbres Fruitiers</h2> <p>The title of this eighteenth-century French handbook translates to Treatise of Fruit Trees. The book was written by botanist Henri Louis Duhamel du Monceau and contained five separate volumes filled with detailed illustrations. This manuscript went for €3.4 million (about AU$5.2 million) at a 2006 auction. Yes, someone spent over five million dollars for a book about fruit trees.</p> <h2>The Gutenberg Bible</h2> <p>This was the first-ever edition of the ‘Good Book’ to be produced using moveable-type print, with Johannes Gutenberg’s printing press (hence the name). Despite being mass-produced, the Gutenberg Bible is still incredibly rare and valuable, as its AU$8.4 million price tag makes clear. Only 48 copies of the original 1450s-printed batch remain today. The buyer of this copy was Maruzen Co. Ltd., a major Japanese bookseller. At the time, 1987, it set the record for the most expensive book ever purchased.</p> <h2>The First Folio</h2> <p>This collection of William Shakespeare’s plays is widely considered one of the most significant treasures in literary history. Formally titled Mr William Shakespeare’s Comedies, Histories &amp; Tragedies, the folio contains all but four of the Bard’s dramatic works. Of the 750 copies originally published seven years after his death in 1623, only 228 remain. Paul Allen, the co-founder of Microsoft, snatched one up at Christie’s, an auction house in New York City, in 2001. It cost him a cool AU$9.6 million.</p> <h2>The Canterbury Tales</h2> <p>This enduring collection of stories from the middle ages by fourteenth-century poet Geoffrey Chaucer fetched a hefty sum of money in 1998 – AU$11.67 million, to be exact. The 17,000 lines of The Canterbury Tales tell the story of a motley crew of pilgrims who engage in a storytelling contest while on their way to visit a holy shrine. Only 12 original copies still exist today. One ended up in the hands of London book dealers, who purchased it for GP£4.6 million (AU$8.1 million). In 1998, that amount was equal to about US$5.5 million. If you do the math (there are 24 separate tales), that’s approximately US$230,000 per tale.</p> <h2>Birds of America</h2> <p>Between 1827 and 1838, naturalist John James Audubon published a series of exquisite prints depicting hundreds of different North American bird species. Together, the 435 illustrations form the complete first edition of Birds of America, of which there are only 119 remaining copies. Another reason for the bird book’s massive value is the fact that six of the bird species depicted are now extinct. In 2010, the most expensive copy of Birds of America went for US$11.5 million at Sotheby’s Auction House in London. Two other copies of the book also raked in big money in the twentieth century: an US$8.8 million copy in 2000 and a US$7.9 million copy in 2012.</p> <h2>The Gospel of Henry the Lion</h2> <p>Only just beating out the birds in this list of expensive books is a lion… Henry the Lion, to be exact. Henry the Lion was the Duke of Saxony from 1142 to 1180 (Saxony, in case you were wondering, is a German state). He commissioned the production of a gospel book for display on the altar of Brunswick Cathedral. The text was a masterpiece, 266 pages long with 50 Romanesque illustrations depicting scenes from all four gospels. The book ended up back in the hands of the German government around 800 years later when it was purchased at a 1983 London auction for US$11.7 million. Today, the complete manuscript has a home in Wolfenbüttel, Germany’s Herzog August Library. To ensure its safety, it is only put on display once every two years!</p> <h2>Rothschild Prayer Boo</h2> <p>These are some pricey prayers: this Flemish collection of Christian texts, psalms, and images cost its buyer US$13.4 million. It was compiled in the early 1500s and features the works of a myriad of Flemish scholars, which fill 254 separate pages. In 1999, Australian businessman Kerry Stokes purchased it from Christie’s in New York. Stokes loaned it to the National Library of Australia in Canberra, where it remains today.</p> <h2>Bay Psalm Book</h2> <p>Religious texts continue to fill this list of expensive books, with the Bay Psalm Book continuing the trend. This one stands out from its fellows, though, because of its distinction as the first book ever printed in the British colonies that would become America. In 1640, 20 years after the Pilgrims landed on Plymouth Rock, the Bay Psalm Book emerged from printers in Cambridge, Massachusetts. There are approximately eleven copies still intact today, mostly in the possession of libraries and universities. One copy, though, has belonged to American businessman David Rubenstein since 2013, when he bought it at a Sotheby’s auction for US$14.2 million.</p> <h2>St Cuthbert Gospel</h2> <p>This pocket-sized version of the Gospel of John is one of the earliest surviving examples of Western bookbinding. Created in the eighth century, it spent years in the coffin of its namesake, St Cuthbert, before becoming the property of an English Jesuit school. In the years leading up to its 2012 purchase, it was on loan to the British Library. The book measures only 14 centimetres by nine centimetres inches. It may be small, but its price tag sure isn’t; the British Library raised over GB£9.5 million (AUD16.6 million) to buy it for good at an auction.</p> <h2>The Magna Carta</h2> <p>The Magna Carta, the thirteenth-century charter that laid the foundation for the future of the law as we know it, is one of the most famous texts in history. Naturally, it earns a high spot on this list. The text was one of the earliest to lay out the concept of basic human rights and limit the powers of a king. Today, only seventeen copies predating 1300 survive. One sold for a whopping AU$33.1 million at a 2007 auction. The identity of the buyer is most likely David Rubenstein, who is also the lucky (or perhaps just wealthy) owner of the Bay Psalm Book. His reasoning for spending so much money? He thought it ‘very important’ that there be a copy of the Magna Carta in the United States. It’s widely believed that the document helped inspire the Declaration of Independence.</p> <h2>The Codex Leicester</h2> <p>You might know this author’s name: Leonardo da Vinci. You might know the buyer’s name as well: Bill Gates. The current record for the most expensive book of all time belongs to this 72-page notebook filled with the Renaissance genius’s notes and theories. In the early 1700s, the Codex was purchased by the Earl of Leicester, hence its name. In 1980, an art collector bought it from the Leicester estate, and none other than Bill Gates bought it from the collector in 1994. The Codex set Gates back a cool US$30.8 million. Gates decided to share his purchase with the world, and did it in the most Bill Gates way possible: he scanned the pages of the book and turned them into a Windows 95 screensaver.</p> <p><strong>This article originally appeared on <a href="https://www.readersdigest.co.nz/culture/the-most-expensive-books-in-the-world?pages=1" target="_blank" rel="noopener">Reader's Digest</a>.</strong></p> <p><em>Image: Shutterstock</em></p>

Books

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Literary travels – destinations made famous by your favourite writers

<p>Great writers have the ability to make a destination jump off the page. Here are five places made famous by great writers where you can step into the pages of your favourite book.</p> <p><strong>Myanmar</strong></p> <p>During the 1920s and 30s Burma (as it was called then) was a hub for the most famous writers in the world. George Orwell, Rudyard Kipling and Somerset Maugham all lived here and the capital Yangon (Rangoon) was a buzzing party town and the most beautiful capital in the British Empire. </p> <p>Much has changed in modern day Myanmar, but travellers can still spend the night in the famous Strand hotel where Kipling used to write or travel up the Ayeyarwady River stopping at the small towns that Orwell made famous in <em>Burmese Days.</em></p> <p><strong>Bali</strong></p> <p>In 2006 Elizabeth Gilbert chronicled the breakdown of her marriage and her own recovery in the novel <em>Eat Pray Love</em>. After stints in Italy (eating) and India (praying), Gilbert set up camp in Ubud in the lush green hills of Bali to find a balance of the two – and ultimately found love. </p> <p>The book and subsequent film have brought a huge influx of travellers to Ubud, but it is still a quiet region of rice paddies, ancient Hindu temples and roadside stalls – though there is now a healthy dose of art galleries, small bars and boutiques added to the mix. Check into a villa and let the soul soothing begin.</p> <p><strong>St Petersburg</strong></p> <p>St Petersburg has been the inspiration for novelists from Russian greats like Tolstoy and Dostoevsky through to <em>The Bronze Horseman</em> trilogy by Paullina Simons. During the city’s famed white nights (a period from May to July where the sun barely sets and the city experiences near constant daylight) you can practically see Anna Karenina dashing through the streets in her finest. </p> <p>Russia is also home to more literary museums than any other country in the world and in St Petersburg you can visit the Dostoevsky museum in the apartment where he wrote <em>The Brothers Karamazov</em> or the National Pushkin Museum dedicated to Russia’s favourite poet.</p> <p><strong>Dublin</strong></p> <p>Dublin is one of only six UNESCO Literary Cities in the world, which is not surprising when you consider it’s the birthplace of James Joyce, Oscar Wilde and WB Yeats. Joyce’s <em>Ulysses</em> follows a day in the life of three Dubliners and fans can now take a self-guided walking tour around the city visiting the places mentioned in the book (there’s even a virtual tour online if you’re more of an armchair traveller). </p> <p>Visit the Dublin Writers Museum to learn about the city’s great literary history or head to Trinity College to see the legendary Book of Kells, an illuminated gospel manuscript dating from 800AD.</p> <p><strong>Cuba</strong></p> <p>To think of Cuba is to think of Ernest Hemingway; sitting at a bar, mojito in hand, cigar clamped firmly between his teeth. Papa, as he was known, lived in Cuba for more than 20 years and it was the setting for his last major fiction book, the Pulitzer Prize winning <em>The Old Man and the Sea</em>. </p> <p>The small fishing village of Cojimar, where Hemingway used to dock his boat, was the inspiration for the book and the old man is said to be based on Cojimar local Gregorio Fuentes. The village is largely unchanged, with narrow streets and a picturesque seafront – though expect to find a few tour buses stopped for photos by the bust of Hemingway. </p> <p><em>Image credits: Getty Images</em></p>

Travel Tips

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Author claims she felt "used and manipulated" by Princess Diana

<p>An author has claimed she felt "manipulated and used" by Princess Diana, after she published a book detailing the late Princess's relationship with British Army captain James Hewitt. </p> <p>Anna Pasternak, was widely criticised for her 1994 book <em>Princess in Love</em>, said she is now "firmly team Camilla", but admits she feels "sorry" for Diana, King Charles and the Queen Consort, believing they "suffered at the hands of an unrelenting monarchy".</p> <p>A year before the publication of Anna's book, she wrote about Princess Diana's friendship with Captain Hewitt in a series of articles for the Daily Express, though their affair was not mentioned. </p> <p>"Hewitt told me that he was only speaking to me because Diana had asked him to – although the series never hinted at an affair, it just showed them as good friends," Pasternak wrote in a piece for <a title="The Telegraph" href="https://www.telegraph.co.uk/royal-family/2022/11/02/wrote-dianas-affair-took-20-years-recover-backlash/" target="_blank" rel="noopener">The Telegraph</a> UK.</p> <p>"Diana was in constant contact with him during this time. He said that she thanked him on the phone for 'talking, as you know I can't. At least people will know the truth'."</p> <p>A year later, royal expert Andrew Morton's explosive new book came out and Diana feared his forthcoming next work would expose her affair with Hewitt.</p> <p>Diana decided to take control of the narrative of her relationship and called on Pasternak, who was soon tasked with writing the book with Diana's permission. </p> <p>Through Hewitt, Diana wanted Pasternak to write about their relationship so the "world could see that their love was genuine" and see why she had had an affair "in the face of Charles's rejection" believing the public "would not condemn her".</p> <p>Hewitt called Pasternak the night Prince Charles admitted, on television, to having a relationship with Camilla.</p> <p>He asked her to write the book in just five weeks, to beat the publication of Morton's second book.</p> <p>The author said she wrote <em>Princess In Love</em> because she needed money and "burning with injustice for our adored, lonely princess, I genuinely thought that I was helping her".</p> <p>The book was quickly condemned by the public and dismissed as "romantic nonsense", despite Diana soon confessing to her love affair with Hewitt in her BBC Panorama interview.</p> <p>Pasternak says Hewitt was "ruined by his confession" and "would never have spoken out in the first place without Diana's encouragement and consent".</p> <p>The author also admitted that she regretted the toll the book had on her reputation, her family and the royal family.</p> <p>"It took me ages to realise that I felt manipulated and used by Diana. Now, firmly Team Camilla, I feel sorry for Diana, Charles and Camilla. Each of them suffered at the hands of an unrelenting monarchy."</p> <p><em>Image credits: Getty Images </em></p>

Books

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5 minutes with author John M. Green

<p dir="ltr">In the OverSixty “5 Minutes With” series, we ask book writers about their literary habits and preferences. Next up is John M. Green who is debuting his sixth book, <em>Framed</em>.</p> <p dir="ltr">John worked as a director at a leading investment bank for 30 years before deciding to pursue his writing career.</p> <p dir="ltr">Framed is inspired by the infamous robbery that took place at the Isabella Stewart Gardner Museum in Boston in 1990 and looks at the world of art theft and organised crime.</p> <p dir="ltr">With six books already published, John M. Green has started working on his seventh one. </p> <p dir="ltr">Watch this space. </p> <p dir="ltr"><strong>What inspired you to write <em>Framed</em>?</strong></p> <p dir="ltr">Being confronted by a series of empty frames on the walls inside Boston’s Isabella Stewart Gardner Museum, frames where thieves - in a billion-dollar art heist in 1990 - sliced out and stole three Rembrandts, a Vermeer and five works by Degas, among others, works that have never been recovered. From that day, I’ve been haunted by the question: where are these works today? </p> <p dir="ltr"><strong>You’ve written six books, did you do anything differently for <em>Framed</em>? </strong></p> <p dir="ltr">I wrote <em>Framed </em>while convalescing from open heart surgery, so readers might find a greater love of life in it. And due to the COVID lockdowns, I wrote <em>Framed </em>with far fewer distractions … I wasn’t travelling anywhere, for business or pleasure, I didn’t have to attend physical meetings, you know the rest. In many ways, it was my most satisfying writing experience, and I hope it shows in the reading.</p> <p dir="ltr"><strong>If you could tell your younger writer something, what would it be? </strong></p> <p dir="ltr"> Stop thinking about writing a novel, and actually start writing it. But most importantly, finish it.</p> <p dir="ltr"><strong>What is next on the agenda for you as an author? </strong></p> <p dir="ltr">While Framed is about art - and murder, my seventh novel is about theatre - and murder.</p> <p dir="ltr"><strong>What is one book you recommend everyone should read?</strong></p> <p dir="ltr">Where the Crawdads Sing by Delia Owens. I was utterly entranced. </p> <p dir="ltr"><em>Images: Supplied</em></p>

Books

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5 minutes with author Sally Piper

<p dir="ltr">In the Over60 “5 Minutes With” series, we ask book writers about their literary habits and preferences. Next up is Sally Piper who is debuting her third book, <em>Bone Memories</em>.</p> <p dir="ltr">Piper worked as a nurse and nurse educator, specialising in neurosurgical critical care and decided to use her experience in people’s vulnerabilities to write her books.</p> <p dir="ltr">With <em>Bone Memories</em>, Piper explores grief, family, murder and media representation of female victims of crime. </p> <p dir="ltr"><em>Bone Memories</em> is out now and can be purchased <a href="https://www.uqp.com.au/books/bone-memories" target="_blank" rel="noopener">here</a> and enjoy the <a href="https://d3f44jafdqsrtg.cloudfront.net/book-clubs/BookClubNotes_Bone-Memories.pdf" target="_blank" rel="noopener">book club notes</a> with your friends.</p> <p dir="ltr"><strong>What inspired you to write Bone Memories?</strong></p> <p dir="ltr">The story grew first from questions I had about how victims and survivors of a crime might memorialise the site where their trauma had occurred. I wondered whether being close to this ground brought people comfort or if proximity to it harmed them further. I wondered what it made their grief look and feel like when they moved across that ground and how that relationship might affect them or change over time.</p> <p dir="ltr">Through the story, I hoped to explore how trauma lives in the body and for some people how it also lives in the land where that trauma occurred; how history and geography for some are inextricably linked. And I wanted to explore how people reconcile this link or what happens if they are unable to.</p> <p dir="ltr">Equally, I often think about the effect that witnessing violence has on children, even if they have little or no memory or understanding of the event. Would they have some innate sense that they had witnessed something terrible? If so, how might this play out as they matured?</p> <p dir="ltr">In writing Bone Memories, I hoped to answer these questions. But as is often the case with any writing project, once you get into it, doors open to other thinking as well. With this story I was once again drawn into what forces impact upon women's safe and free movement through the world (something I explored in my previous novel,<a href="https://www.uqp.com.au/books/the-geography-of-friendship" target="_blank" rel="noopener"> The Geography of Friendship</a>), but this time I looked at it in the way that the media represents female victims of crime; how some crimes against women are reported with a sympathetic narrative, one that elicits intense social empathy, and at other times women are essentially blamed for their own deaths.</p> <p dir="ltr"><strong> Where do you get your information or ideas for your books?</strong></p> <p dir="ltr">I read widely and often around obscure topics, which inevitably takes me down rabbit holes of thinking, so ideas I hadn’t previously considered important suddenly become so. This is the best kind of information gathering, because it is unexpected. It is also one of the reasons I never plan my stories, allowing them to evolve organically. And neither do I allow myself to know the ending of a novel. Because if I get surprises along the way, then it is my hope that readers will too.   </p> <p dir="ltr"><strong>How do you deal with writer’s block?</strong></p> <p dir="ltr">Writer’s block is a phrase I won’t use in relation to my writing practise. It sounds too much like a disease that I’m at risk of ‘catching’. When I’m struggling to start or progress a work it is usually because I haven’t thought enough about what it is I want to say. Or as Jonathan Franzen puts it: ‘the blank page in the mind has to be filled before you have the courage to face the actual blank page.’ Which is to say, think first, write later. If I get stuck, I go back to the original questions I began the story with: What do I want this story to say? What are the themes and issues I want it to address? Who are the stakeholders? Not being able to find the words is often because I have lost sight of the answers, or I need to ask myself new or better questions.</p> <p dir="ltr">There is also something else that can stop a work in its tracks, which masquerades as writer’s block: procrastination. But procrastination is a defence mechanism, another word for fear or a lack of self-belief. It protects us from criticism. It keeps us safe from failure. It saves us digging deeply into the personal stuff of what we’re writing about, which is often the place where the gold is found. The solution then is to find courage, trust yourself and persevere.  </p> <p dir="ltr"><strong>What is your work schedule like when you're writing?</strong></p> <p dir="ltr">When working on a new project, I write most days, mainly in the morning. The afternoon is usually spent editing that morning’s work, often after a bushwalk, an activity I call writing away from the desk. Once away from the work, I see it through a different lens: an editorial one. I find the rhythm of walking allows for clearer thinking, helped in no small part by fresh air and the calming beauty of the bush. With this clarity I can usually work out what isn’t working in the story, and often why as well, so that I come back with a solution. Sometimes I cut the walk short because I’m excited to get back and make the changes.</p> <p dir="ltr"><strong>Do you expect Bone Memories to become a TV series?</strong></p> <p dir="ltr">I think every writer has a secret dream that their story will be reimagined for the screen, and there certainly is more scope for these opportunities now with the rise of streaming services such as Netflix and Stan. When this dream came true for my second novel, The Geography of Friendship, which is to be made into a 6-part TV series by Aquarius Films and Rose Byrne’s Dollhouse Pictures, I was absolutely thrilled to think that the characters in that story would be reimagined in this way. So, it is hard not to hope for the same thing for my third novel, Bone Memories. It is a deeply human, family-centric story with strongly realised characters and a sharp eye for the Australian landscape, so I think it would make an excellent adaptation. But of course, I’m not at all biased!</p> <p dir="ltr"><em>Images: Fiona Muirhead/Supplied</em></p>

Books

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How to Murder Your Husband author sentenced to life in prison

<p dir="ltr">The author who once penned an essay “How to Murder Your Husband” was sentenced to life in prison for murdering her husband at his workplace. </p> <p dir="ltr">Nancy Crampton Brophy, 71, was found guilty of second-degree murder for shooting dead her chef husband Daniel Brophy, 63, back in June 2018. </p> <p dir="ltr">Following the seven week trial, Nancy was sentenced to life in prison on June 13 and will only be eligible for parole after serving 25 years in custody. </p> <p dir="ltr">Prosecutors told the court that Crampton Brophy killed her husband to claim her husband’s $1.4 million life insurance policy. </p> <p dir="ltr">They said that she was collecting gun pieces in the moments leading to Daniel’s death before killing him at the Oregon Culinary Institute. </p> <p dir="ltr">Footage presented to the Multnomah County courtroom showed that Crampton Brophy in fact owned the same make and model of the gun that killed her husband.</p> <p dir="ltr">She was also seen driving to and from the culinary institute when Daniel was killed and found by his students. </p> <p dir="ltr">Her defence team argued that she was collecting them for a new book she was writing - about a woman who slowly collected gun parts to complete a weapon and get back at her abusive husband.</p> <p dir="ltr">They said that Crampton Brophy and Daniel were in a loving relationship for almost 25 years. </p> <p dir="ltr">The jury of five men and seven women deliberated the case for eight hours before delivering the guilty verdict.</p> <p dir="ltr">One of Crampton Brophy’s attorneys, Lisa Maxfield said they are looking to appeal.</p> <p dir="ltr">Crampton Brophy is due to be sentenced on June 13.</p> <p dir="ltr"><em>Images: Twitter</em></p>

Legal

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“How to Murder Your Husband” author convicted for murdering husband

<p dir="ltr">An author who wrote an essay about “How to Murder Your Husband” has been convicted of murdering her husband.</p> <p dir="ltr">Nancy Crampton Brophy, 71, was found guilty on Wednesday of second-degree murder for shooting dead her chef husband Daniel Brophy, 63, back in June 2018. </p> <p dir="ltr">Prosecutors told the court that Crampton Brophy killed her husband to claim her husband’s $1.4 million life insurance policy. </p> <p dir="ltr">They said that she was collecting gun pieces in the moments leading to Daniel’s death before killing him at the Oregon Culinary Institute. </p> <p dir="ltr">Footage presented to the Multnomah County courtroom showed that Crampton Brophy in fact owned the same make and model of the gun that killed her husband.</p> <p dir="ltr">She was also seen driving to and from the culinary institute when Daniel was killed and found by his students. </p> <p dir="ltr">Her defence team argued that she was collecting them for a new book she was writing - about a woman who slowly collected gun parts to complete a weapon and get back at her abusive husband.</p> <p dir="ltr">They said that Crampton Brophy and Daniel were in a loving relationship for almost 25 years. </p> <p dir="ltr">The jury of five men and seven women deliberated the case for eight hours before delivering the guily verdict.</p> <p dir="ltr">One of Crampton Brophy’s attorneys, Lisa Maxfield said they are looking to appeal.</p> <p dir="ltr">Crampton Brophy is due to be sentenced on June 13.</p> <p dir="ltr"><em>Images: Twitter</em></p>

Legal

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5 minutes with author D.L. Hicks

<p dir="ltr">In the Over60 “5 Minutes With” series, we ask book writers about their literary habits and preferences. Next up is D.L. Hicks who is debuting his second book, <em>The Fallback</em>.</p> <p dir="ltr">D.L. Hicks has worked as an officer with the Victorian Police for more than 25 years and decided to put all his real-life experiences on the frontline on paper. </p> <p dir="ltr">Using his frontline experience, D.L. Hicks brings you along the journey that explores desperation, vulnerability, the lengths people will go to to get what they want, and whether you can ever change who you truly are.</p> <p dir="ltr"><em>The Fallback is available for <a href="https://www.booktopia.com.au/the-fallback-d-l-hicks/book/9780648677048.html" target="_blank" rel="noopener">preorder now</a> and is due for release on May 31.</em></p> <p dir="ltr"><strong>1. How has your background of being a police officer contributed to your writing style?</strong></p> <p dir="ltr">One of the most common pieces of advice given to any writer is ‘write what you know’, and I’m no exception when it comes to that. As well as bearing witness to crimes and criminal activity, being a police officer gives me a firsthand insight into the effect this type of behaviour has on victims and offenders, as well as the emergency workers whose job it is to attend critical incidents. From the most minor car accident to a life-threatening assault or even a homicide, police officers are tasked with taking control of the situation, investigating it and hopefully bringing it to some sort of resolution. To be able to draw on those experiences from a career approaching 30 years in the job is a valuable tool for me as a writer – not only in terms of plot and story arc but also in observing the characteristics of different people involved and the manner in which they deal with things. Hopefully being an ‘insider’ in this world gives my writing authenticity and credibility.</p> <p dir="ltr"><strong>2. How long were you thinking of writing <em>The Fallback</em> before you decided to go ahead with it?</strong></p> <p dir="ltr">The idea for The Fallback had been buzzing around in my head for some time before I actually put it down on paper. Once I had overcome the excitement of having my first book – <em>The Devil Inside</em> – published and out in the world, I was then able to focus more on The Fallback and expand on the initial concept. The writing and editing process to get this novel to the point where it now appears on the shelf took around 18 months to 2 years, squeezed in around full-time police work and existing in a family including two teenagers!</p> <p dir="ltr"><strong>3. What was one of the most surprising things you learned when writing your book?</strong></p> <p dir="ltr">Although it shouldn’t be surprising, the editing process – in sharpening a rough diamond first draft into something that can actually be released – amazes me. There are so many character story arcs that require fleshing out or resolution, and so much additional information that is added to round out characters and enrich the overall quality of the novel. It is definitely a collaborative process – so much work is put in by the writer and their editor after the initial story has been written to make the finished product so much more polished than what was first put on the page.</p> <p dir="ltr"><strong>4. What book(s) are you reading right now?</strong></p> <p dir="ltr">I am constantly reading – it is one thing I love doing and always try and make time for, even if it’s just a chapter or two in bed at night. Most books I read are crime novels – Christian White, Jane Harper, Jo Nesbo, Michael Robotham, Chris Hammer, Lee Child – however in saying that, I am always open to good book recommendations from any genre. The best two books I have read lately are not crime fiction at all – Bluebird by Malcolm Knox, and Still Life by Sarah Winman. I have just finished Kill Your Brother by Jack Heath – definitely a crime novel!</p> <p dir="ltr"><strong>5. How do you deal with writer’s block?</strong></p> <p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;">I haven’t had to deal with writer’s block too much yet, although there are certainly times where things flow better than others. Taking a break can be useful – getting out in the fresh air walking the dog, leaving the writing aside for a small period of time and then returning to it can usually get the creative thoughts flowing again. Sometimes I think it’s beneficial to just try to just focus on getting something down on the page - even if it isn’t award winning literature – to progress the storyline. Once the words are down they can always be sharpened up at a later stage. </p>

Books

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5 minutes with author Patti Miller

<p dir="ltr">In the <em>Over60 “5 Minutes With”</em> series, we ask book writers about their literary habits and preferences. Next up is Patti Miller, who is debuting her novel <em>True Friends</em> - <a href="https://www.uqp.com.au/books/true-friends" target="_blank" rel="noopener">out now</a>!</p> <p dir="ltr">Patti Miller is an Australian writer and holds a Bachelor in Communications and a Masters in Writing from the University of Technology. She is the author of 10 books and numerous articles and essays that have been published in national newspapers and literary magazines.</p> <p dir="ltr">In <em>True Friends</em>, a memoir, Patti reflects on the making (and unmaking) of some of her most treasured friendships, the importance of this relationship in our lives, how we choose our friends and how they shape our lives.</p> <p dir="ltr">Over60 spoke to Patti and asked about where her love of writing came from, and how her experiences helped shape her book <em>True Friends</em>.</p> <p dir="ltr"><strong>1. How did you come up with the idea for <em>True Friends</em>?</strong></p> <p dir="ltr">To be truthful, it came more from a feeling than an idea. I was boarding a flight in Paris and suddenly saw someone ahead of me on the air-bridge who looked like a friend who had recently ended her friendship with me. It wasn’t her, but I noted the turmoil it caused in me and once I was on the plane I started taking notes about it. I realised that while the endings of romantic relationships were often the subject of novels, memoirs, poems, song and films, the hurt of a friendship ending was rarely written about. By the time I arrived back in Sydney, I knew I had a book to write.</p> <p dir="ltr"><strong>2. What do you look for when making friends?</strong></p> <p dir="ltr">I think I am drawn to someone’s energy – their engagement with the world, their attention to it. I value self-awareness, openness, thoughtfulness, kindness, interest in and connection to the world. And then if I find out they like books and reading – well that’s a big plus!</p> <p dir="ltr"><strong>3. If you're comfortable sharing, what was the greatest friendship loss that happened to you?</strong></p> <p dir="ltr">There’s two kinds of losses in friendship – a break-up, and death. A friend has recently died and I have felt that loss deeply as she was formative for me. She shaped my thinking and my life to a certain extent. But I have also lost a friendship due to break up, which was bewildering and which became a central thread in <em>True Friends</em>.</p> <p dir="ltr"><strong>4. What is your advice for your readers who are looking to make new friends?</strong></p> <p dir="ltr">It’s so different for everyone that I don’t think I can give advice. Generally though, it’s a matter of being open to others. Listening to them, asking questions, rather than talking about yourself too much. That way, you can start connecting to them.</p> <p dir="ltr"><strong>5. What is the importance in knowing oneself and one's friends?</strong></p> <p dir="ltr">I’m going to quote from <em>True Friends</em> to answer this one: “Friends also share similar versions of the world... Together you and I not only acknowledge the reality of each other, but of our world. It is really there, that stand of gum trees, that mad leader, that childhood we told each other about, it all exists. Because we agree that it does.”</p> <p dir="ltr">That is, in knowing yourself and others, you re-affirm each other’s version of existence.</p> <p dir="ltr"><strong>6. What book(s) do you think people should read?</strong></p> <p dir="ltr">Well, clearly <em>“True Friends”</em>!! But also the wonderful set of novels by Elena Ferrante, starting with <em>“My Brilliant Friend”</em>. They are the best novels about a long friendship that I’ve come across. My book is nonfiction, drawing on my own experience, but I suspect Ferrante’s novels also draw on her own experience of friendship.</p>

Books

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Willy Wonka fun facts

<p dir="ltr"><strong>*Willy Wonka Willy Wonka everybody give a cheer HOORAY*</strong></p> <p dir="ltr">Don’t pretend you did not sing that like the Oompa Loompa’s did because that is such a classic. </p> <p dir="ltr">Obviously the one with the late Gene Wilder, even though the one with Johnny Depp isn’t that bad either. </p> <p dir="ltr"><em>Willy Wonka and the Chocolate Factory</em> came out in 1971 and was based on the 1964 book <em>Charlie and the Chocolate Factory </em><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">by British author Roald Dahl</span><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">.</span></p> <p dir="ltr">To this very day it remains a classic to grandparents, parents and even kids who grew up watching it. </p> <p dir="ltr">We all secretly wished we could visit Willy Wonka’s factory and consume all the chocolate possible…just like Augustus Gloop wanted to. </p> <p dir="ltr">But did you know that Willy Wonka’s factory wasn’t actually a factory? Yes, the movie has some delicious facts despite being released 51 years ago. </p> <ol> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation"><strong>Wonka’s limping entrance was Gene Wilder’s idea</strong></p> </li> </ol> <p dir="ltr">The first time everyone finally meets Willy Wonka is when he is limping. This idea came to Gene Wilder who suggested it would be perfect to keep the crowd on its toes.</p> <p dir="ltr">The director questioned why he would want to do that to which Gene responded: “Because from that time on, no one will know if I’m lying or telling the truth.”</p> <ol start="2"> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation"><strong>Almost everything was edible</strong></p> </li> </ol> <p dir="ltr">Remember when Willy Wonka said “everything in this room is edible except for me”? Well they weren’t lying because everything in the factory was edible.</p> <p dir="ltr">Except for that floral cup he would drink from which was actually made from wax. Gene would bite into it and continue biting until the shot was perfect.</p> <ol start="3"> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation"><strong>Chocolate river not actually made out of chocolate</strong></p> </li> </ol> <p dir="ltr">Would’ve been a dream come true had that river actually been made out of chocolate. It was however filled with brown-coloured water which eventually stunk up the place.</p> <p dir="ltr">In the remake, thick, fake chocolate was actually used. </p> <ol start="4"> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation"><strong>Charlie and Wonka were close in real life</strong></p> </li> </ol> <p dir="ltr">Peter Ostrum, the actor who played Charlie, said Wilder “treated people with respect and dignity.” </p> <p dir="ltr">He said Wilder would always buy a chocolate bar after lunch and share it with him. </p> <ol start="5"> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation"><strong>Not a factory</strong></p> </li> </ol> <p dir="ltr">The movie was filmed in Germany and Willy Wonka’s “factory” was in fact a power plant. </p> <p dir="ltr">The director chose that place on purpose so viewers would not immediately pick up where the story was set. </p> <ol start="6"> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation"><strong>Roald Dahl HATED it</strong></p> </li> </ol> <p dir="ltr">Author Roald Dahl actually hated the film and refused to grant the film rights to a sequel. </p> <p dir="ltr">It was only 15 years after he died that a remake was approved.</p> <p dir="ltr"><em>Image: Getty</em></p>

Movies

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5 minutes with author Lyn McFarlane

<p dir="ltr">In the<em> Over60</em> <em>“5 Minutes With”</em> series, we ask book writers about their literary habits and preferences. Next up is Lyn McFarlane, who is debuting her novel <em>The Scarlet Cross</em> on March 29. </p> <p dir="ltr">Lyn McFarlane is a Canadian-Australian writer, lawyer and former freelance journalist. She splits her time between Sydney, Australia and Vancouver Island, Canada. She holds degrees in economics and journalism and a masters in law. <em>The Scarlet Cross</em> won the Arthur Ellis Prize for Best Unpublished Manuscript in 2019.</p> <p dir="ltr"><em>The Scarlet Cross</em> will keep the reader on their toes as they join Meredith Griffin in the emergency department at St Jude Hospital, who questions why women who all had the same fatal injury were labelled as suicides. </p> <p dir="ltr"><em>Over60</em> spoke to Lyn and asked about where her love of writing came from, how much her own law history contributed to her book, and the inspiration behind <em>The Scarlet Cross</em>.</p> <p dir="ltr"><strong>Could you tell us about your background and your writing style?</strong></p> <p dir="ltr">I have always loved language, and have a deep fondness for writers who can use words with precision and economy. My background as a lawyer may contribute to this, but even before I studied and practiced law, I relished authors - Raymond Carver, Colm Tobin or Cormac McCarthy, spring to mind - who deliver writing that is clean and sparse on its face, but has a top spin that knocks you off your feet. This is the writing style that I aspire to. </p> <p dir="ltr"><strong>What book(s) are you reading right now?</strong></p> <p><em>Crossroads</em> by Jonathan Franzen, <em>The Way it is Now</em> by Garry Disher, and <em>Olive, Again</em> by Elizabeth Strout.</p> <p dir="ltr"><strong>With a background in journalism and degrees in law and economics, did you find that this helped you break into crime writing or help your writing in any way?</strong></p> <p>I have always wanted to write fiction and I have several unpublished short stories and half-written manuscripts to prove it! I don’t think my education and professional life were critical to being a novelist, but both things helped me find the discipline and confidence to follow an idea through to the end of a finished manuscript.</p> <p dir="ltr">You need many things to write a novel. People may think creativity and talent are the main ingredients, but I think it mostly requires hard work, energy, grit, confidence and, in homage to Virginia Woolf, a room of one’s one. It’s also critical to have the support of others around you. All of the things I have done in my life, and all of my relationships, contributed to the writing of <em>The Scarlet Cross</em>.</p> <p dir="ltr"><strong>What inspired you to write <em>The Scarlet Cross</em>?</strong></p> <p dir="ltr">The seed for <em>The Scarlet Cross</em> was planted by my sister, who is an avid crime reader and a former psychiatric nurse. She suggested a hospital as the main setting for a crime. We both agreed that hospitals were these unique public places and the frontline workers within them are often on the coal face of crime. The kernel for the idea was a simple question: What if an emergency nurse observes patients coming in with similar, strange cuts?</p> <p>Those two ideas - the hospital setting and the pattern of patient deaths - set me off on my journey. Then, when I started building the characters, I realised I wanted to have these characters grapple with several important social issues: how people who have mental health issues manage them and how their families help of hinder that; sexual harassment and bullying in the workplace; institutional power.</p> <p dir="ltr"><strong>Which author, living or deceased, would you most like to have dinner with?</strong></p> <p dir="ltr">I think this is the hardest question of all! There are so many, but I would say Margaret Atwood, because acidic wit makes for great dinner table banter.</p> <p dir="ltr"><strong>What book (or books) do you think more people should read?</strong></p> <p dir="ltr"><em>Middlemarch</em> by George Eliot for its piercing intelligence and broad vision of humanity. </p> <p dir="ltr"><strong>How do you deal with writer’s block?</strong></p> <p dir="ltr">I use a mix of practicality, discipline and distraction. The practicality is inspired by a quote from Geraldine Brooks that I have on the corkboard above my computer. It’s a simple question: “Do bricklayers get bricklaying block?” What a lovely chastisement to just “Get on with it”! The discipline comes from my ballet training and my legal career and it says to me: “Lyn, just sit your butt in that chair and start.” The distraction is usually physical - I get up and go for a walk or do yoga. Or, I put on music. Or I do some scaffolding writing, which is writing about what I am writing - to feel like I am advancing the project.</p>

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Too old for a dog? Author sparks huge debate

<p dir="ltr">British author Jilly Cooper has inadvertently sparked a heated debate about the ethics of elderly pet ownership after telling a newspaper that she planned on getting another dog after the death of her beloved greyhound Bluebell.</p> <p dir="ltr">The 84-year-old romance writer told<span> </span><em>The Daily Express<span> </span></em>that she was “heartbroken” after losing Bluebell, and hoped to adopt another dog after finishing her next book. This seemingly innocuous statement caused enough controversy to warrant its own segment on<span> </span><em>Good Morning Britain,<span> </span></em>where columnist Lara Asprey argued that older people don’t have the energy to look after dogs. “ I think you have to be a bit careful about taking a dog on when you're in the later stages of life. You have to be considerate to the dog. It needs to have a home it can live in for its life too," Asprey argued.</p> <p dir="ltr">She continued, "As you get older, things start to get a bit creakier, and although I understand they can be good exercise and dogs can be amazing companions, I don't see why they need to have a dog as a sole responsibility.</p> <p dir="ltr">"Otherwise I feel it's not really fair on the dog. It's a bit selfish."</p> <p dir="ltr">The show’s hosts then invited 79-year-old newsreader Jan Leeming onto the show, who argued that pets can be an important lifeline for the elderly. Leeming said, "I am 80 in January and I have always had dogs and I have always tailored my dogs to my ability.”</p> <p dir="ltr">She also responded to Asprey’s claims that elderly pet ownership was selfish, saying, "I think that's being a bit narrow. I had a friend who died at 103 and she always had Shelties and at the age of 60 she said, 'I am too old to have anymore'.</p> <p dir="ltr">"Well just think, she could have had two more lots of dogs and given them a loving home."</p> <p dir="ltr">Viewers took to social media to express outrage at Asprey’s views, and many shared their own stories of elderly relatives enjoying time with their furry friends.<span> </span><a rel="noopener" href="https://twitter.com/susie_retro/status/1463062962722193410" target="_blank">One user said</a>, “Absolute rubbish @GMB If it wasn't for the fact that my elderly Dad had a dog after my mum passed away his life would have been much shorter, it gave him the motivation to get out every day &amp; get on with his life,” while<span> </span><a rel="noopener" href="https://twitter.com/wendiywoo/status/1463063833673621507" target="_blank">another said</a>, “It's much better an older person who is home all day than these people getting a dog and leaving it locked, alone in the house for 10 hours a day”.</p> <p dir="ltr">An<span> </span><a rel="noopener" href="https://twitter.com/HopeRescue/status/1463064073650720768" target="_blank">animal rescue based in Wales said</a>, “Age is not a barrier, key is matching up the right home with the right dog. Fostering is also an option for those older dog lovers who need additional support as the rescue will provide food, vet bills etc.”</p> <p dir="ltr"><em>Image: Jamie Grill</em></p>

Family & Pets

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5 minutes with author P J McKay

<p><span style="font-weight: 400;">In </span><em><span style="font-weight: 400;">5 minutes with the Author</span></em><span style="font-weight: 400;">, <em>OverSixty</em> asks book writers about their literary habits and preferences. </span></p> <p><span style="font-weight: 400;">Next in the series is <a rel="noopener" href="https://www.pjmckayauthor.com/" target="_blank">P J McKay</a>, a novelist and mum-of-three based in Auckland. After training and working as a food scientist, McKay began writing while undertaking her Masters in Creative Writing at the University of Auckland. During her studies, McKay was inspired by her travels through former Yugoslavia to pen her debut novel, </span><em><span style="font-weight: 400;">The Telling Time</span></em><span style="font-weight: 400;">. After winning the 2020 First Pages Prize, McKay’s novel is now available.</span></p> <p><em><span style="font-weight: 400;">OverSixty</span> </em><span style="font-weight: 400;">sat down with McKay to chat about representing New Zealand’s Croatian community, her current reads, and the role cooking played in her novel.</span></p> <p><strong>O60: What book(s) are you reading right now?</strong></p> <p><span style="font-weight: 400;">My current book on the go is <em>Betty</em> by Tiffany McDaniel — insights into the Cherokee Indian culture are an added bonus and despite the tough themes I’m enjoying cheering this resilient young woman on.</span></p> <p><span style="font-weight: 400;">And I have just finished two novels:</span></p> <p><span style="font-weight: 400;"><em>Crazy Love</em> by Rosetta Allan — A love story with a twist. A triumph of love conquering adversity. A no-holes barred insight in the realities of supporting our mentally unwell. This is Rosetta’s third novel. She manages to inject humour into what’s a tough subject to tackle and never allows the story to wallow.</span></p> <p><span style="font-weight: 400;">And for something much lighter, </span><em><span style="font-weight: 400;">Take me Home</span></em><span style="font-weight: 400;"> by Karly Lane — transports the reader from Australia to Scotland. A feel-good story with a dash of romance. </span></p> <p><strong>O60: Does your training in food science influence your writing in any way?</strong></p> <p><span style="font-weight: 400;">Great question! There are a few food descriptions peppered through <em>The Telling Time</em>. My love of cooking (and consuming food!) has most definitely influenced this. Some reviewers have noted it as a bonus to be transported by these descriptions. Any reference to food is of course relevant to the era and/or the setting but given the aroma, taste or even just the sight of food transports us to different settings it can be a useful and fun tool to employ: think Greece and Mediterranean dishes, or traditional Australasian sweet treats — lamingtons for example — or food which is typical in Croatia, such as <em>črostule</em>, <em>njoki</em>, <em>špek</em> or the local wine on Korčula, <em>Pošip</em>. As an author I invite the reader to use all their senses when imagining my characters in scene. If I get their taste buds watering then that’s a bonus.   </span></p> <p><strong>O60: How did you start writing historical fiction?</strong></p> <p><span style="font-weight: 400;">It’s the genre which I enjoy most as a reader and my background roles in research were also very helpful. The nugget for this novel came from my own experience when backpacking in the late 1980s tied in with my interest in the immigrant experience and for <em>The Telling Time</em>, the Croatian diaspora. I also wanted the novel to encompass the mother/daughter relationship, hence the dual timeline that includes the late 1950s and 1989. It’s scary to think that these two eras now count as historical! When researching for a novel like this it means going back even further in time. <em>The Telling Time</em> references events from the early 20</span><span style="font-weight: 400;">th</span><span style="font-weight: 400;"> Century, WWIII, and the events that followed afterward, particularly in the former Yugoslavia. I love that historical fiction often gifts the reader information they didn’t previously know. This for me is the joy of historical fiction writing; finding those facts to thread through the fiction to ensure the ‘world of the novel’ is credible. </span></p> <p><strong>O60: <em>The Telling Time</em> was inspired by your travels and the connections you made with the local Croatian community. How did it feel to represent this community with your novel? </strong></p> <p><span style="font-weight: 400;">I feel privileged to have been privy to stories from the Croatian community and delighted to shine some light on what makes this group unique, but also what unites their stories with other immigrant groups. It is always tricky finding the balance when representing a community that is not your own lived experience. For me, it was important to observe and listen at the local Dalmatian club when attending club nights and events. There were excellent resources to draw on at the club — their cultural museum and language tutor who checked my use of Croatian words/phrases in the novel — and having the novel reviewed by Dr Nina Nola from the University of Auckland’s English department was another essential step. Nina’s mother immigrated to New Zealand from Hvar in the 1950s. This is a novel, and therefore a work of fiction, but staying true to the culture and customs is an essential component and the feedback from readers of Croatian heritage suggests I have succeeded in getting the balance and details right. Of course, when Croatian publishers Znanje d.o. bought the translation rights for the novel earlier this year (to be published there in June 2022) this was a further seal of approval. I felt both proud and delighted that I would soon be able to gift copies of the translated novel to the club.  </span></p> <p><strong>O60: What book or books do you think are  underrated?</strong></p> <p><span style="font-weight: 400;">That’s a curly question! <em>The Lost Lights of St Kilda</em> by Elisabeth Gifford is a gentle historic novel, published last year which I thoroughly enjoyed but don’t hear a lot about now. And I’ll put in a plug for fellow New Zealand author, Rosetta Allan, mentioned above. Along with <em>Crazy Love</em>, her two other novels, <em>Purgatory</em> and <em>The Unreliable People</em>, are both fabulous reads that deserve more air-time!!</span></p> <p><strong>O60: How do you deal with writer’s block?</strong></p> <p><span style="font-weight: 400;">I found the best solution was to chat more. By this I mean nutting out a problem with trusted friends or asking a question which then often provided a lead, or new tangent to explore. There was one dire moment of writer’s block when I was desperate to get my character, Gabrijela, out of the house. I asked Mum for ideas about social events in the 1950s and she told me how popular a day at the races was along with a personal story about backing an outside runner called Red Glare. Bingo! Guess where Gabrijela was now off to! Critique was also a valuable tool, especially during my Masters in Creative Writing year at Auckland University. It challenges you to think harder and strive to improve, to iron out the creases waiting to trip the reader out of their suspended disbelief.</span></p> <p><strong>O60: Which author, dead or alive, would you most like to have dinner with?</strong></p> <p><span style="font-weight: 400;">Has to be Janine Cummins, who wrote </span><em><span style="font-weight: 400;">American Dirt</span></em><span style="font-weight: 400;">. </span><span style="font-weight: 400;"></span></p> <p><em><span style="font-weight: 400;">Images: Supplied</span></em></p>

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